A danger of travel is that we see things at the wrong time, before we have had a chance to build up the necessary receptivity and when new information is therefore as useless and fugitive as necklace beads without a connecting chain.
ALAIN DE BOTTONYet often, they know but just don’t care. So the task of serious journalism isn’t just to lay out truths. It is to make vital truths compelling to a big audience.
More Alain de Botton Quotes
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What is a snob? A snob is anybody who takes a small part of you and uses that to come to a complete vision of who you are. That is snobbery.
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True respectability stems not from the will of the majority but from proper reasoning.
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Everyone returns us to a different sense of ourselves, for we become a little of who they think we are.
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We don’t really learn anything properly until there is a problem, until we are in pain, until something fails to go as we had hoped … We suffer, therefore we think.
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The moment we cry in a film is not when things are sad but when they turn out to be more beautiful than we expected them to be.
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The fear of saying something stupid (which stupid people never have) has censored far more good ideas than bad ones.
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To be shown love is to feel ourselves the object of concern: our presence is noted, our name is registered, our views are listened to, our failings are treated with indulgence and our needs are ministered to. And under such care, we flourish.
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The more closely we analyze what we consider ‘sexy,’ the more clearly we will understand that eroticism is the feeling of excitement we experience at finding another human being who shares our values and our sense of the meaning of existence.
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Wealth is not an absolute. It is relative to desire. Every time we yearn for something we cannot afford, we grow poorer, whatever our resources. And every time we feel satisfied with what we have, we can be counted as rich, however little we may actually possess.
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There are selections so acute that they come to define a place, with the result that we can no longer travel through that landscape without being reminded of what a great artist noticed there.
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The mind does most of its best thinking when we aren’t there. The answers are there in the morning.
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The most attractive are not those who allow us to kiss them at once [we soon feel ungrateful] or those who never allow us to kiss them [we soon forget them], but those who coyly lead us between the two extremes.
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Social media has lots of benefits, but compared to Christianity, it tends to group people by interests. Religion puts you with people who have nothing in common except that you’re human.
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Only as we mature does affection begin to depend on achievement.
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A virtuous, ordinary life, striving for wisdom but never far from folly, is achievement enough.
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In the works of Lucretius, we find two reasons why we shouldn’t worry about death. If you have had a successful life, Lucretius tell us, there’s no reason to mind its end. And, if you haven’t had a good time, “Why do you seek to add more years, which would also pass but ill?”
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It is in dialogue with pain that many beautiful things acquire their value. Acquaintance with grief turns out to be one of the more unusual prerequisites of architectural appreciation. We might, quite aside from all other requirements, need to be a little sad before buildings can properly touch us.
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Good books put a finger on emotions that are deeply our own – but that we could never have described on our own.
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The problem isn’t so much finding good ideas (there is no shortage) as embedding the ones we have into everyday practice.
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One kind of good book should leave you asking: how did the author know that about me?
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As adults, we try to develop the character traits that would have rescued our parents.
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The happiness that may emerge from taking a second look is central to Proust’s therapeutic conception. It reveals the extent to which our dissatisfactions may be the result of failing to look properly at our lives rather than the result of anything inherently deficient about them.
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Every realistic picture represents a choice as to which features of reality should be given prominence; no painting ever captures the whole.
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The media insists on taking what someone didn’t mean to say as being far closer to the truth than what they did.
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We need objects to remind us of the commitments we’ve made. That carpet from Morocco reminds us of the impulsive, freedom-loving side of ourselves we’re in danger of losing touch with. Beautiful furniture gives us something to live up to. All designed objects are propaganda for a way of life.
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I went to church and couldn’t swallow it. The music was nice but I don’t belong there.
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