The telephone becomes an instrument of torture in the demonic hands of a beloved who doesn’t call.
ALAIN DE BOTTONAs adults, we try to develop the character traits that would have rescued our parents.
More Alain de Botton Quotes
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Intimacy is the capacity to be rather weird with someone – and finding that that’s ok with them.
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After 40 (old age for most of man’s history), one should strive to be more or less packed and ready to go were the end call to come.
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Taking photographs can assuage the itch for possession sparked by the beauty of a place; our anxiety over losing a precious scene can decline with every click of the shutter.
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We may seek a fortune for no greater reason than to secure the respect and attention of people who would otherwise look straight through us.
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We study biology, physics, movements of glaciers… Where are the classes on envy, feeling wronged, despair, bitterness.
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It’s perhaps easier now than ever before to make a good living; it’s perhaps harder than ever before to stay calm, to be free of career anxiety.
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Artistic accounts involve severe abbreviations of what reality will force upon us.
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The most attractive are not those who allow us to kiss them at once [we soon feel ungrateful] or those who never allow us to kiss them [we soon forget them], but those who coyly lead us between the two extremes.
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So many complaints boil down to the belly ache of the fragile, mortal, ignored ego in a vast and indifferent universe.
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Our jobs make relentless calls on a narrow band of our faculties, reducing our chances of achieving rounded personalities and leaving us to suspect (often in the gathering darkness of a Sunday evening) that much of who we are, or could be, has gone unexplored.
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Our capacity to draw happiness from aesthetic objects or material goods in fact seems critically dependent on our first satisfying a more important range of emotional or psychological needs, among them the need for understanding, for love, expression and respect.
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What should worry us is not the number of people that oppose us, but how good their reasons are for doing so.
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The greatest works of art speak to us without knowing us.
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How generous was it to offer gifts to people one knew would never accept them?
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There are selections so acute that they come to define a place, with the result that we can no longer travel through that landscape without being reminded of what a great artist noticed there.
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Socrates, on being insulted in the marketplace, asked by a passerby, “Don’t you worry about being called names?” retorted, “Why? Do you think I should resent it if an ass had kicked me?
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Rather than employing it as a supplement to active, conscious seeing, they used the medium as a substitute, paying less attention to the world than they had done previously, taking it on faith that photography automatically assured them possession of it.
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The mind may be reluctant to think properly when thinking is all it is supposed to do; the task can be as paralysing as having to tell a joke or mimic an accent on demand.
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The largest part of what we call ‘personality’ is determined by how we’ve opted to defend ourselves against anxiety and sadness”.
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To one’s enemies: “I hate myself more than you ever could.
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Maturity: the confidence to have no opinions on many things.
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Architects themselves tend to shy away from the word, preferring instead to talk about the manipulation of space.
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In the works of Lucretius, we find two reasons why we shouldn’t worry about death. If you have had a successful life, Lucretius tell us, there’s no reason to mind its end. And, if you haven’t had a good time, “Why do you seek to add more years, which would also pass but ill?”
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Art holds out the promise of inner wholeness.
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It wasn’t only fanatics and drunkards who began conversations with strangers in public.
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There is a longing for a return to a time without the need for choices, free of the regret at the inevitable loss that all choice (however wonderful) has entailed.
ALAIN DE BOTTON