It is in dialogue with pain that many beautiful things acquire their value. Acquaintance with grief turns out to be one of the more unusual prerequisites of architectural appreciation. We might, quite aside from all other requirements, need to be a little sad before buildings can properly touch us.
ALAIN DE BOTTONIt’s hard loving those who don’t much like themselves: “If you’re so great, why would you think I’m so great.
More Alain de Botton Quotes
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What I want to argue for is not that we should give up on our ideas of success, but that we should make sure that they are our own. We should focus in on our ideas and make sure that we own them, that we’re truly the authors of our own ambitions.
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Wealth is not an absolute. It is relative to desire. Every time we yearn for something we cannot afford, we grow poorer, whatever our resources. And every time we feel satisfied with what we have, we can be counted as rich, however little we may actually possess.
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Curiosity takes ignorance seriously – and is confident enough to admit when it’s in the dark. It is aware of not knowing. And then it sets out to do something about it.
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In the works of Lucretius, we find two reasons why we shouldn’t worry about death. If you have had a successful life, Lucretius tell us, there’s no reason to mind its end. And, if you haven’t had a good time, “Why do you seek to add more years, which would also pass but ill?”
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The good parent: someone who doesn’t mind, for a time, being hated by their children.
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We need objects to remind us of the commitments we’ve made. That carpet from Morocco reminds us of the impulsive, freedom-loving side of ourselves we’re in danger of losing touch with. Beautiful furniture gives us something to live up to. All designed objects are propaganda for a way of life.
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The materialistic view of happiness of our age starkly revealed in our understanding of the word “luxury.
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Paying tax should be framed as a glorious civic duty worthy of gratitude – not a punishment for making money.
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Everyone returns us to a different sense of ourselves, for we become a little of who they think we are.
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We keep a special place in our hearts for people who refuse to be impressed by us.
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Artistic accounts involve severe abbreviations of what reality will force upon us.
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We need a refuge to shore up our states of mind, because so much of the world is opposed to our allegiances. We need our rooms to align us to desirable versions of ourselves and to keep alive the important, evanescent sides of us.
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Cynics are – beneath it all – only idealists with awkwardly high standards.
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As we write, so we build: to keep a record of what matters to us.
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Most of our childhood is stored not in photos, but in certain biscuits, lights of day, smells, textures of carpet.
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What is fascinating about marriage is why anyone wants to get married.
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Memory is… similar to anticipation: an instrument of simplification and selection.
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It’s perhaps easier now than ever before to make a good living; it’s perhaps harder than ever before to stay calm, to be free of career anxiety.
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When you look at the Moon, you think, ‘I’m really small. What are my problems?’ It sets things into perspective. We should all look at the Moon a bit more often.
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A danger of travel is that we see things at the wrong time, before we have had a chance to build up the necessary receptivity and when new information is therefore as useless and fugitive as necklace beads without a connecting chain.
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There is no such thing as work-life balance. Everything worth fighting for unbalances your life.
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Serious journalists often imagine society is adrift because people don’t know certain things.
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Although I don’t believe in God, Bach’s music shows me what a love of God must feel like.
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Booksellers are the most valuable destination for the lonely, given the numbers of books that were written because authors couldn’t find anyone to talk to.
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Insomnia is a glamorous term for thoughts you forgot to have in the day.
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Getting to the top has an unfortunate tendency to persuade people that the system is OK after all.
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