Philosophy had supplied Socrates with convictions in which he had been able to have rational, as opposed to hysterical, confidence when faced with disapproval.
ALAIN DE BOTTONA danger of travel is that we see things at the wrong time, before we have had a chance to build up the necessary receptivity and when new information is therefore as useless and fugitive as necklace beads without a connecting chain.
More Alain de Botton Quotes
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There are selections so acute that they come to define a place, with the result that we can no longer travel through that landscape without being reminded of what a great artist noticed there.
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We often lose our tempers not with those who are actually to blame; just with those who love us enough to forgive us our foul moods.
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We are like an exquisite high-speed aircraft which for lack of a tiny part is left stranded beside the runway, rendered slower than a tractor or bicycle.
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Newspapers are being read all around. The point is not, of course, to glean new information, but rather to coax the mind out of its sleep-induced introspective temper.
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People only get really interesting when they start to rattle the bars of their cages.
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Art holds out the promise of inner wholeness.
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Do you love me enough that I may be weak with you? Everyone loves strength, but do you love me for my weakness? That is the real test.
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Because the rhythm of conversation makes no allowance for dead periods, because the presence of others calls for continuous responses, we are left to regret the inanity of what we say, and the missed opportunity of what we do not.
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A ‘good job’ can be both practically attractive while still not good enough to devote your entire life to.
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We are presented with an unpleasant choice between either committing to peculiar concepts about immaterial deities or letting go entirely of a host of consoling, subtle or just charming rituals for which we struggle to find equivalents in secular society.
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It is striking how much more seriously we are likely to be taken after we have been dead a few centuries.
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What kills us isn’t one big thing, but thousands of tiny obligations we can’t turn down for fear of disappointing others.
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In their different ways, art and philosophy help us, in Schopenhauer’s words, to turn pain into knowledge.
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My writing always came out of a very personal place, out of an attempt to stay sane.
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The pleasure we derive from journeys is perhaps dependent more on the mindset with which we travel than on the destination we travel to.
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Most good thinking has its origin in fear.
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I am in general a very pessimistic person with an optimistic, day to day take on things. The bare facts of life are utterly terrifying. And yet, one can laugh. Indeed, one has to laugh precisely because of the darkness: the nervous laughter of the trenches.
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A successful work will draw out the features capable of exciting a sense of beauty and interest in the spectator.
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Politics is so difficult, it’s generally only people who aren’t quite up to the task who feel convinced they are.
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Artistic accounts involve severe abbreviations of what reality will force upon us.
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We are not always humiliated by failing; we are humiliated only if we first invest our pride and sense of worth in a given achievement and then do not reach it.
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What is fascinating about marriage is why anyone wants to get married.
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Our homes do not have to offer us permanent occupancy or store our clothes to merit the name. To speak of home in relation to a building is simply to recognise its harmony with our own prized internal song. Home can be an airport or a library, a garden or a motorway diner.
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Sweetness is the opposite of machismo, which is everywhere-and I really don’t get on with machismo. I’m interested in sensitivity, and weakness, and fear, and anxiety, because I think that, at the end of the day, behind our masks, that’s what we are.
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Bad art might be defined as a series of bad choices about what to show and what to leave out.
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At the heart of every frustration lies a basic structure: the collision of a wish with an unyielding reality.
ALAIN DE BOTTON