Every realistic picture represents a choice as to which features of reality should be given prominence; no painting ever captures the whole.
ALAIN DE BOTTONThe media insists on taking what someone didn’t mean to say as being far closer to the truth than what they did.
More Alain de Botton Quotes
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A danger of travel is that we see things at the wrong time, before we have had a chance to build up the necessary receptivity and when new information is therefore as useless and fugitive as necklace beads without a connecting chain.
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The challenge for a human now is to be more interesting to another than his or her smartphone.
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Serious journalists often imagine society is adrift because people don’t know certain things.
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The only people we can think of as normal are those we don’t yet know very well.
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Mental health: having enough safe places in your mind for your thoughts to settle.
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The dream of the news is that it makes us care about other people and situations. But we cannot identify with people to whom we haven’t been introduced. Humans will only respond to art, to people who are skilled in making you care.
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Memory is… similar to anticipation: an instrument of simplification and selection.
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The attentions of others matter to us because we are afflicted by a congenital uncertainty as to our own value, as a result of which affliction we tend to allow others’ appraisals to play a determining role in how we see ourselves. Our sense of identity is held captive by the judgements of those we live among.
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The greatest difficulty of Travel is that one is forced to take oneself along.
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Those who divorce aren’t necessarily the most unhappy, just those neatly able to believe their misery is caused by one other person.
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We should not feel embarrassed by our difficulties, only by our failure to grow anything beautiful from them.
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What is a snob? A snob is anybody who takes a small part of you and uses that to come to a complete vision of who you are. That is snobbery.
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Every adult life could be said to be defined by two great love stories: the story of our quest for sexual love and the story of our quest for love from the world.
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Feeling lost, crazy and desperate belongs to a good life as much as optimism, certainty and reason.
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Once I began to consider everything as being of potential interest, objects released latent layers of value.
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Work is most fulfilling when you’re at the comfortable, exciting edge of not quite knowing what you are doing.
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A successful work will draw out the features capable of exciting a sense of beauty and interest in the spectator.
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Endeavoring to purchase something we think beautiful may in fact be the most unimaginative way of dealing with the longing it excites in us, just as trying to sleep with someone may be the bluntest response to a feeling of love.
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I feel that the great challenge of our time is the communication of ideas.
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One of the unexpectedly important things that art can do for us is to teach us how to suffer more successfully.
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Cynics are – beneath it all – only idealists with awkwardly high standards.
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The need for love hallucinates a prince or princess. The oasis complex is never a complete delusion: the man in the desert does see something on the horizon. It is just that the palms have withered, the well is dry, and the place is infected with locusts.
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Work finally begins when the fear of doing nothing exceeds the fear of doing it badly.
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These inventors were elevating the formulation of entrepreneurial ideas to the status of a visionary activity. Though forced to justify their efforts in the pragmatic language of venture capital, they were at heart utopian thinkers intent on transforming the world.
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There is no such thing as work-life balance. Everything worth fighting for unbalances your life.
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The greatest works of art speak to us without knowing us.
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