We keep a special place in our hearts for people who refuse to be impressed by us.
ALAIN DE BOTTONBad art might be defined as a series of bad choices about what to show and what to leave out.
More Alain de Botton Quotes
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What is a snob? A snob is anybody who takes a small part of you and uses that to come to a complete vision of who you are. That is snobbery.
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The mind may be reluctant to think properly when thinking is all it is supposed to do; the task can be as paralysing as having to tell a joke or mimic an accent on demand.
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Getting to the top has an unfortunate tendency to persuade people that the system is OK after all.
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There is a longing for a return to a time without the need for choices, free of the regret at the inevitable loss that all choice (however wonderful) has entailed.
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It’s as though either you accept [religious] doctrine and then you can have all the nice stuff, or you reject the doctrine and you’re living in some kind of spiritual wasteland under the guidance of CNN and Walmart.
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If our lives are dominated by a search for happiness, then perhaps few activities reveal as much about the dynamics of this quest – in all its ardour and paradoxes – than our travels.
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Our greatest furies spring from events which violate our sense of the ground of our existence.
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Every adult life could be said to be defined by two great love stories: the story of our quest for sexual love and the story of our quest for love from the world.
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My writing always came out of a very personal place, out of an attempt to stay sane.
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We envy only those whom we feel ourselves to be like; we envy only members of our reference group. There are few successes more unendurable than those of our close friends.
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In a secularising world, art has replaced religion as a touchstone of our reverence and devotion.
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The materialistic view of happiness of our age starkly revealed in our understanding of the word “luxury.
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I passionately believe that’s it’s not just what you say that counts, it’s also how you say it – that the success of your argument critically depends on your manner of presenting it.
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Politics is so difficult, it’s generally only people who aren’t quite up to the task who feel convinced they are.
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The blunt large questions become connected to smaller, apparently esoteric ones.
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Journeys are the midwives of thought. Few places are more conducive to internal conversations than moving planes, ships or trains.
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Cynics are – beneath it all – only idealists with awkwardly high standards.
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Yet often, they know but just don’t care. So the task of serious journalism isn’t just to lay out truths. It is to make vital truths compelling to a big audience.
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One of the better guarantors of ending up in a good relationship: an advanced capacity to be alone.
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When Proust urges us to evaluate the world properly, he repeatedly reminds us of the value of modest scenes.
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One rarely falls in love without being as much attracted to what is interestingly wrong with someone as what is objectively healthy.
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We are not always humiliated by failing; we are humiliated only if we first invest our pride and sense of worth in a given achievement and then do not reach it.
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Newspapers are being read all around. The point is not, of course, to glean new information, but rather to coax the mind out of its sleep-induced introspective temper.
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What kills us isn’t one big thing, but thousands of tiny obligations we can’t turn down for fear of disappointing others.
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William James once made an acute point about the relationship between happiness and expectation. He argued that satisfaction with ourselves does not require us to succeed in every endeavour.
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The inability to live in the present lies in the fear of leaving the sheltered position of anticipation or memory, and so of admitting that this is the only life that one is ever likely (heavenly intervention aside) to live.
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