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How do the stems connect to the roots?’ ‘Where is the mist coming from?’ ‘Why does one tree seem darker than another?’ These questions are implicitly asked and answered in the process of sketching.

Alain de Botton

The arrogance that says analysing the relationship between reasons and causes is more important than writing a philosophy of shyness or sadness or friendship drives me nuts. I can’t accept that.
ALAIN DE BOTTON

Analyse Arrogance Cause Important More Philosophy Reason Relationship Say Write
Those who divorce aren’t necessarily the most unhappy, just those neatly able to believe their misery is caused by one other person.
ALAIN DE BOTTON

Belive Cause Divorce Most Neat Necessary Other Unhappy
Arguments are like eels: however logical, they may slip from the minds weak grasp unless fixed there by imagery and style.
ALAIN DE BOTTON

Argument Eel Fixed Grasp Imagery Like Logical Mind Slip Style Unless Weak
The company of certain people may excite our generosity and sensitivity, while that of others awakens our competitiveness and envy.
ALAIN DE BOTTON

Awaken Certain Company Competitiveness Excite Generously People Sensitivity
Getting to the top has an unfortunate tendency to persuade people that the system is OK after all.
ALAIN DE BOTTON

After All Get OK People System Tendency Top Unfortunate
Maturity: knowing where you’re crazy, trying to warn others of the fact and striving to keep yourself under control.
ALAIN DE BOTTON

Control Crazy Know Maturity Try Under
To be shown love is to feel ourselves the object of concern: our presence is noted, our name is registered, our views are listened to, our failings are treated with indulgence and our needs are ministered to. And under such care, we flourish.
ALAIN DE BOTTON

Concern Flourish Listen Love Note Object Ourselves Presence Register Shown View
The materialistic view of happiness of our age starkly revealed in our understanding of the word “luxury.
ALAIN DE BOTTON

Age Happiness Luxury Materialistic Reveal Starkly Understanding
The challenge of modern relationships: how to prove more interesting than the other’s smartphone.
ALAIN DE BOTTON

Challenge Interest Modern More Other Prove Relationship Smartphone
I think people want to get married to end their emotional uncertainty. In a way, they want to end powerful feelings, or certainly the negative ones.
ALAIN DE BOTTON

Emotional End Feeling Married People Powerful Uncertain
We envy only those whom we feel ourselves to be like; we envy only members of our reference group. There are few successes more unendurable than those of our close friends.
ALAIN DE BOTTON

Close Envy Feel Friend Group Member Ourselves Reference
After 40 (old age for most of man’s history), one should strive to be more or less packed and ready to go were the end call to come.
ALAIN DE BOTTON

Age End Less Man More Most Old Pack Should Strive
Our capacity to draw happiness from aesthetic objects or material goods in fact seems critically dependent on our first satisfying a more important range of emotional or psychological needs, among them the need for understanding, for love, expression and respect.
ALAIN DE BOTTON

Aesthetic Capacity Critical Draw Good Happiness Material Object Satisfy Seem
True love is a lack of desire to check one’s smartphone in another’s presence.
ALAIN DE BOTTON

Desire Lack Love Presence Smartphone
We will cease to be angry once we cease to be so hopeful.
ALAIN DE BOTTON

Angry Cease Hopeful Once
True respectability stems not from the will of the majority but from proper reasoning.
ALAIN DE BOTTON

Majority People Reason Respectability Stem
In the works of Lucretius, we find two reasons why we shouldn’t worry about death. If you have had a successful life, Lucretius tell us, there’s no reason to mind its end. And, if you haven’t had a good time, “Why do you seek to add more years, which would also pass but ill?”
ALAIN DE BOTTON

Death Life Reason Successful Tell Work Year
What is fascinating about marriage is why anyone wants to get married.
ALAIN DE BOTTON

Anyone Fascinate Marriage Married
Every realistic picture represents a choice as to which features of reality should be given prominence; no painting ever captures the whole.
ALAIN DE BOTTON

Capture Choice Every Realistic Feature Given Paint Picture Prominence Reality Represent
Only as we mature does affection begin to depend on achievement.
ALAIN DE BOTTON

Achievement Affection Begin Depend Mature
Because the rhythm of conversation makes no allowance for dead periods, because the presence of others calls for continuous responses, we are left to regret the inanity of what we say, and the missed opportunity of what we do not.
ALAIN DE BOTTON

Allow Call Continuous Conversation Dead Make Misuse Opportunity Period Presence Rhythm
Sweetness is the opposite of machismo, which is everywhere-and I really don’t get on with machismo. I’m interested in sensitivity, and weakness, and fear, and anxiety, because I think that, at the end of the day, behind our masks, that’s what we are.
ALAIN DE BOTTON

Everywhere Get Interest Kind Machine Machismo Opposite Really Sensitive Sweetness
The flawless object throws into perspective the mediocrity that surrounds it. We are reminded of the way we would wish things always to be and of how incomplete our lives remain.
ALAIN DE BOTTON

Always Flawless Mediocrity Object Perspective Thing Throw Wish
People only get really interesting when they start to rattle the bars of their cages.
ALAIN DE BOTTON

Bar Cage Interest People Rattle Really Start
It’s perhaps easier now than ever before to make a good living; it’s perhaps harder than ever before to stay calm, to be free of career anxiety.
ALAIN DE BOTTON

Before Bore Calm Easier Even Good Live Make Perhaps Stay
Must being in love always mean being in pain?
ALAIN DE BOTTON

Always Being Love Must Pain
The very act of drawing an object, however badly, swiftly takes the drawer from a woolly sense of what the object looks like to a precise awareness of its component parts and particularities.
ALAIN DE BOTTON

Act Draw Drawer Like Look Object Sense Swiftly

How do the stems connect to the roots?’ ‘Where is the mist coming from?’ ‘Why does one tree seem darker than another?’ These questions are implicitly asked and answered in the process of sketching.

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How do the stems connect to the roots?’ ‘Where is the mist coming from?’ ‘Why does one tree seem darker than another?’ These questions are implicitly asked and answered in the process of sketching.

Related Topics

Popular Authors

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