“The very act of drawing an object, however badly, swiftly takes the drawer from a woolly sense of what the object looks like to a precise awareness of its component parts and particularities.”

Out of the millions of people we live among, most of whom we habitually ignore and are ignored by in turn, there are always a few that hold hostage our capacity for happiness, whom we could recognize by their smell alone and whom we would rather die than be without.

Our capacity to draw happiness from aesthetic objects or material goods in fact seems critically dependent on our first satisfying a more important range of emotional or psychological needs, among them the need for understanding, for love, expression and respect.

We envy only those whom we feel ourselves to be like; we envy only members of our reference group. There are few successes more unendurable than those of our close friends.

Everyone wants a better life: very few of us want to be better people.

Perhaps it is true that we do not really exist until there is someone there to see us existing, we cannot properly speak until there is someone who can understand what we are saying in essence, we are not wholly alive until we are loved.

It’s as though either you accept [religious] doctrine and then you can have all the nice stuff, or you reject the doctrine and you’re living in some kind of spiritual wasteland under the guidance of CNN and Walmart.

Newspapers are being read all around. The point is not, of course, to glean new information, but rather to coax the mind out of its sleep-induced introspective temper.

The mind does most of its best thinking when we aren’t there. The answers are there in the morning.

We will cease to be angry once we cease to be so hopeful.

At the heart of every frustration lies a basic structure: the collision of a wish with an unyielding reality.

Though it may feel otherwise, enjoying life is no more dangerous than apprehending it with continuous anxiety and gloom.

So many complaints boil down to the belly ache of the fragile, mortal, ignored ego in a vast and indifferent universe.

It is perhaps when our lives are at their most problematic that we are likely to be most receptive to beautiful things.

Being content is perhaps no less easy than playing the violin well: and requires no less practice.

Do you love me enough that I may be weak with you? Everyone loves strength, but do you love me for my weakness? That is the real test.

If one felt successful, there’d be so little incentive to be successful.

We delight in one knowable thing, which comprehends all that is knowable; in one apprehensible, which draws together all that can be apprehended; in a single being that includes all, above all in the one which is itself the all.

Revolutionary realism tries to draw the maximum advantage from every situation – that is what makes it revolutionary – but at the same time it does not permit us to set ourselves fantastic aims – that is what makes it realistic.

Do not be afraid to offer ideas that draw opposition. Remember, if no one is against your idea, then your idea probably doesn’t do anything.

And so we remained till the red of the dawn began to fall through the snow gloom. I was desolate and afraid, and full of woe and terror. But when that beautiful sun began to climb the horizon life was to me again.

It was like a miracle, but before our very eyes, and almost in the drawing of a breath, the whole body crumbled into dust and passed from our sight.

I would draw my own comic book characters listening to metal. The drawing and music kind of went hand in hand.

I used to think I was hitting a draw at times, and the ball was still curving to the right! I still prefer to play a little fade, but I’ve had to recalibrate my visuals.

It is by developing the individual that he is prepared for that wonderful manifestation of the human intelligence, which drawing constitutes.