One of our major flaws, and causes of unhappiness, is that we find it hard to take note of appreciate and be grateful for what is always around us. We suffer because we lose sight of the value of what is before us and yearn, often unfairly, for the imagined attraction elsewhere.
ALAIN DE BOTTONInsomnia is a glamorous term for thoughts you forgot to have in the day.
More Alain de Botton Quotes
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We are presented with an unpleasant choice between either committing to peculiar concepts about immaterial deities or letting go entirely of a host of consoling, subtle or just charming rituals for which we struggle to find equivalents in secular society.
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Which seems no less relevant in the secular realm than in the religious one-that we have within us a precious, childlike, vulnerable core which we should nourish and nurture on its turbulent journey through life.
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A notorious inability to express emotions makes human beings the only animals capable of suicide.
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I learnt to stop fantasising about the perfect job or the perfect relationship because that can actually be an excuse for not living.
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One kind of good book should leave you asking: how did the author know that about me?
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Art holds out the promise of inner wholeness.
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Good sex isn’t just fun, it keeps us sane and happy. Having sex with someone makes us feel wanted, alive and potent.
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Artistic accounts involve severe abbreviations of what reality will force upon us.
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There may be significant things to learn about people by looking at what annoys them most.
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We are all more intelligent than we are capable, and awareness of the insanity of love has never saved anyone from the disease.
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A ‘good job’ can be both practically attractive while still not good enough to devote your entire life to.
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There is always the option of being emotionally lazy, that is, of quoting.
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What I want to argue for is not that we should give up on our ideas of success, but that we should make sure that they are our own. We should focus in on our ideas and make sure that we own them, that we’re truly the authors of our own ambitions.
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The very act of drawing an object, however badly, swiftly takes the drawer from a woolly sense of what the object looks like to a precise awareness of its component parts and particularities.
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The moment we cry in a film is not when things are sad but when they turn out to be more beautiful than we expected them to be.
ALAIN DE BOTTON