“I believe it is a big mistake to think that money is the only way to compensate a person for his work.”

More people are interested in trying to shuffle paper assets around than building lasting assets by producing real goods.

There are three creativities: creativity in technology, in product planning, and in marketing.

My solution to the problem of unleashing creativity is always to set up a target.

My chief job is to constantly stir or rekindle the curiosity of people that gets driven out by bureaucracy and formal schooling systems.

In the United States businessmen often do not trust their colleagues.

I consider it my job to nurture the creativity of the people I work with because at Sony we know that a terrific idea is more likely to happen in an open, free and trusting atmosphere than when everything is calculated.

My concept is that anybody has creative ability, but very few people know how to use it.

Management of an industrial company must be giving targets to the engineers constantly; that may be the most important job management has in dealing with its engineers.

But if you work with people, sometimes logic often has to take a backseat to understanding.

And then we grow up and learn to blend our innate abilities with the rules or principles we have learned.

Don’t do market research.

I believe people work for satisfaction.

Japanese people tend to be much better adjusted to the notion of work, any kind of work, as honorable.

The important thing in my view is not to pin the blame for a mistake on somebody, but rather to find out what caused the mistake.

The company must not throw money away on huge bonuses for executives or other frivolities but must share its fate with the workers.

When I find an employee who turns out to be wrong for the job,

People seen by the mind are exactly different to things seen by the eye. They grow smaller and smaller as you come nearer down to them, whereas things become bigger.

You know, many people have said that I’m on the edge and I’m maverick for some of the big operations that I’ve done. I’m not at all. I pray; I ask God to give me wisdom, ‘Should I do it?’, guidance in terms of how to do it, who to consult with. All those kind of things are incredibly important.

I feel like a big thing is faith – to never lose my faith and to always stay true to who I am and to never be afraid to show who I am. I think the biggest thing is: Don’t ever hide anything.

You know, in the days when I started, if you had Chet Atkins’ name on your record as a producer and it was on RCA, you could work the road. It didn’t have to be a big hit record, it just had to have that on it.

Was an American archetype, the bad guy with the big heart.

The big things I’ve had are things I bought myself.

What was up with class today? It was watered-down porn. He practically had you and patch on top of your lab table, horizontal, minus your clothes, doing the big deed.

My favorite Twombly is ‘Apollo and the Artist,’ with the big ‘Apollo’ written across it.