“Anybody could say anything they want about me, and it literally never penetrates my skin.”

I don’t do talk shows or go on Dr. Phil’s show. He’s a friend of mine, and, no, he doesn’t give me any advice. He doesn’t give solicited advice.

But I work harder now because I have so much more exposure. And actually the harder you work as a writer, the better you get at it. It’s like anything else. It’s a muscle you have to exercise. I write more now than ever.

As long as I stay engaged with everybody else, then I’ll create more comedy. It’s just when I shut off and stay at home… What helps me is just to keep moving.

Let’s face it: a lot of my material comes from the stuff that happens to me on the road.

I’d rather do a really good small part than a really bad big part.

I’ve got a great cigar collection – it’s actually not a collection, because that would imply I wasn’t going to smoke every last one of ’em.

Mother, she likes the blue material just fine.

Television is 15 hour days. Movies are 18 hour days. And it’s 18 hours of doing not a thing.

You know, my first album, some of those jokes I’d done for twelve years because I couldn’t throw ’em out.

I really understood a lot more about comedy after listening to Bill Hicks, who died at 32 years old. He’s probably the best comedian who ever lived. Although you can’t say that because of Carlin, Cosby and Pryor.

Donald Trump – and I don’t dislike Donald one single bit – has no idea how good the Mexican people are at building tunnels.

I go to more open mic nights than open mikers.

You can tell on-stage when a joke’s starting to lose its pop. It doesn’t mean people don’t want to hear it anymore; it means I don’t want to do it anymore. Because I want to move on to something that has a knee-jerk reaction just like you get when you tell somebody a joke that they’ve never heard.

People are saying that I’m an alcoholic, and that’s not true, because I only drink when I work, and I’m a workaholic.

There’s no idea or concept in comedy you could do that hasn’t been attacked from some angle. But if you start leaving punchlines out so you’ll look cool, I don’t get that. But I don’t watch standup anyway, so I don’t know what they’re doing.

My life has been wild enough to derive all of the stories you need out of it. I’ve been through many, many years of behavioral problems, so I don’t really look outside for stories.

I never identified with anybody. I have always been very sensitive about my color, because everybody called me ‘yellow gal.’ I was caught in between both sides – nobody wanted me. I love that my audience is there, but I always feel as though I have to fend for myself.

You don’t have to hit anybody on the head to be sexy.

I just want everybody to know that I’m opposed to an unauthorized biography on anybody.

There won’t be any hearsay. There won’t be any expert analysis from anybody else. It will be the real deal.

I played so long ago, I don’t think anybody even knew you could transfer. I don’t think they knew anything about it.

You aren’t going to find anybody that’s going to be successful without making a sacrifice and without perseverance.

Anybody can direct, but there are only eleven good writers.

If you weren’t on Chris Economaki’s radar screen, you probably weren’t on anybody’s.