In the United States, in poetry workshops, it’s now quite a thing to make graduate students learn poems by heart.
SEAMUS HEANEYIt is very true to say that work done by writers is quite often an attempt to give solid expression to that which is bothering them. They feel they have got it right if they express the stress.
More Seamus Heaney Quotes
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I think childhood is, generally speaking, a preparation for disappointment.
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Manifesting that order of poetry where we can at last grow up to that which we stored up as we grew.
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It is very true to say that work done by writers is quite often an attempt to give solid expression to that which is bothering them. They feel they have got it right if they express the stress.
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If you go into an underground train in London – probably anywhere, but chiefly in London – there’s that sense of almost entering a ghostly dimension. People are very still and quiet; they don’t exchange many pleasantries.
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I think that water is immediately interesting. It’s just, as an element, it is full of life. It is associated with origin; it is bright – it reflects you.
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Even if the hopes you started out with are dashed, hope has to be maintained.
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The faking of feelings is a sin against the imagination.
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I’ve always associated the moment of writing with a moment of lift, of joy, of unexpected reward.
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I don’t do as many readings as I used to. There was a time when I was on the road a lot more, at home in Ireland, in Britain, in Canada and the States, a time when I had more stamina and appetite for it.
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I’m not personally obsessed with death. At a certain age, the light that you live in is inhabited by the shades – it ’tis.
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The problem as you get older, is that you become more self-aware. At the same time, you have to surprise yourself. There’s no way of arranging the surprise, so it is tricky.
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The poet is on the side of undeceiving the world.
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There is risk and truth to yourselves and the world before you.
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The amount of sensory material stored up or stored down in the brain’s and the body’s systems is inestimable. It’s like a culture at the bottom of a jar, although it doesn’t grow, I think, or help anything else to grow unless you find a way to reach it and touch it.
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I feel myself part of something. Not only being part of a community but part of an actual moment and a movement of Irish writing and art. That sense of being part of the whole thing is the deepest joy.
SEAMUS HEANEY