I grew up in the suburbs of Cleveland in 1988 and there was just one year where suddenly all of the delivery kids that used to be boys were suddenly girls. It happened at our church too. Altar boys were suddenly altar girls.
BRIAN K. VAUGHANThe longer I’ve been writing scripts, the more I find that you have to give the artist more leeway or else you’ll just be disappointed. You can’t force them to draw every image that’s in your head.
More Brian K. Vaughan Quotes
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There’s just something about that late ’80s that suddenly feels like it has something to teach us.
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Yeah, that’s right. Flee in terror, bitches!
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I’m still digesting the ’90s. It takes some time to get perspective.
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Next up, I’m going to grow a big, disgusting beard, just so people will start talking about Alan Moore and me in the same breath.
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These are the young women [in Stand by Me] that we grew up knowing and hopefully they feel a little rough around the edges, because it’s true to life.
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The longer I’ve been writing scripts, the more I find that you have to give the artist more leeway or else you’ll just be disappointed. You can’t force them to draw every image that’s in your head.
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No. No, first comes boyhood. You get to play with soldiers and spacemen, cowboys and ninjas, pirates and robots. But before you know it, all that comes to an end. And then, Remo Williams, is when the adventure begins.
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After 9/11, I knew I wanted to write about power and identity and the way Americans on all sides of the political spectrum often mythologize our leaders, which are themes that the superhero genre has always handled really well.
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I’m 40 now, and I have children of my own. Before I forget my own childhood completely, I want to take some time to take a look at the ’80s and think back.
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Pacifists are like vegans, I’m more of a vegetarian. I enjoy fish and occasional maulings.
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That was the appealing thing about comics: There literally is no budget in comics. You’re only limited by your imagination.
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I think some people are just very passionate that things remain the way they were when they were kids.
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I write the book for one person – for Fiona [Staples, the artist]. I spend a lot of time just thinking how she’ll react to things and manipulating her into drawing perverse, horrific things. It’s a really weird job but I enjoy it.
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Doesn’t matter if it’s personal or professional, a good partnership takes work.
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I’m the one who started spreading that particular factoid, about Bendis, Azz and me all being bald Brian’s from Cleveland, just to get my name mentioned in the same sentence as two much-better writers, and it’s worked like a goddamn charm.
BRIAN K. VAUGHAN