I know I’m a grumpy old man, but I’m always more delighted by readers talking about the actual comics than people talking about how eager they are to have their favorite comics be “elevated” into another medium.
BRIAN K. VAUGHANThe longer I’ve been writing scripts, the more I find that you have to give the artist more leeway or else you’ll just be disappointed. You can’t force them to draw every image that’s in your head.
More Brian K. Vaughan Quotes
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We’ve all seen lots of stories about a young protagonist having adventures, and usually they’re all boys, [and] there is sometimes a token female, or two.
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There’s just something about that late ’80s that suddenly feels like it has something to teach us.
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I don’t start a story until I know where it’s going to end.
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I mean, do you know what you get when you call a suicide hotline in New York city? A busy signal. Literally.
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Life is mostly just learning how to lose.
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What cruel creatures men are. Our bodies tell us to love so many, but there’s room in our hearts for so few.
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After 9/11, I knew I wanted to write about power and identity and the way Americans on all sides of the political spectrum often mythologize our leaders, which are themes that the superhero genre has always handled really well.
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Not a word of my writing has ever been changed by another person’s hands, and I don’t think many screenwriters can say that.
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The longer I’ve been writing scripts, the more I find that you have to give the artist more leeway or else you’ll just be disappointed. You can’t force them to draw every image that’s in your head.
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I’m the one who started spreading that particular factoid, about Bendis, Azz and me all being bald Brian’s from Cleveland, just to get my name mentioned in the same sentence as two much-better writers, and it’s worked like a goddamn charm.
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My mom once told me that a good relationship isn’t where the other person makes you feel better, but where they make *you* better.
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These are the young women [in Stand by Me] that we grew up knowing and hopefully they feel a little rough around the edges, because it’s true to life.
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I like things that are weirdly imaginative and couldn’t be real, but I also like stories that are recognizable and relatable.
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I write the book for one person – for Fiona [Staples, the artist]. I spend a lot of time just thinking how she’ll react to things and manipulating her into drawing perverse, horrific things. It’s a really weird job but I enjoy it.
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Some people are haunted by their pasts, but not my family. I mean, how can you be haunted by something that never really dies?
BRIAN K. VAUGHAN