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The longer I’ve been writing scripts, the more I find that you have to give the artist more leeway or else you’ll just be disappointed. You can’t force them to draw every image that’s in your head.

Brian K. Vaughan

I grew up in the suburbs of Cleveland in 1988 and there was just one year where suddenly all of the delivery kids that used to be boys were suddenly girls. It happened at our church too. Altar boys were suddenly altar girls.
BRIAN K. VAUGHAN

Boys Girl Happen Kids Suddenly
That was the appealing thing about comics: There literally is no budget in comics. You’re only limited by your imagination.
BRIAN K. VAUGHAN

Budgets Comic Imagination
I know I’m a grumpy old man, but I’m always more delighted by readers talking about the actual comics than people talking about how eager they are to have their favorite comics be “elevated” into another medium.
BRIAN K. VAUGHAN

Adaptation Men People
I remember seeing Stand by Me, when I was around 12, and just feeling like, “This is so refreshing to see kids swear and smoke cigarettes like my friends.” It just felt much more real than the Sesame Street version of childhood that I’d been spoon-fed.
BRIAN K. VAUGHAN

Childhood Friend Kids Real Refresh
I don’t start a story until I know where it’s going to end.
BRIAN K. VAUGHAN

Book Comic Ends Stories
I like things that are weirdly imaginative and couldn’t be real, but I also like stories that are recognizable and relatable.
BRIAN K. VAUGHAN

Imaginative Real Stories
To try and imagine that I’m another person is always going to be hard – whether I’m writing about a truck driver or someone who is gay, who’s trans, who is of a different ethnicity or creed. But it would be boring if I always had to write about myself and my limited viewpoint.
BRIAN K. VAUGHAN

Ethnicity Gay Writing
Immigration confuses and terrifies me, so why not try to write a comic and make some sense of it?
BRIAN K. VAUGHAN

Immigration Trying Writing
Some people are haunted by their pasts, but not my family. I mean, how can you be haunted by something that never really dies?
BRIAN K. VAUGHAN

Mean Past People
Life is mostly just learning how to lose.
BRIAN K. VAUGHAN

Life Loses Misty
I write the book for one person – for Fiona [Staples, the artist]. I spend a lot of time just thinking how she’ll react to things and manipulating her into drawing perverse, horrific things. It’s a really weird job but I enjoy it.
BRIAN K. VAUGHAN

Books Jobs Manipulate Thinking Writing
I’m not afraid of the world. I’m afraid of a world without you.
BRIAN K. VAUGHAN

Afraid Love Without World
I think some people are just very passionate that things remain the way they were when they were kids.
BRIAN K. VAUGHAN

Kids People Thinking
Next up, I’m going to grow a big, disgusting beard, just so people will start talking about Alan Moore and me in the same breath.
BRIAN K. VAUGHAN

Breathe Disgusting Next People Same
It was interesting looking back at the ’80s and trying to find newspaper headlines from the time – the cliché of history repeating itself.
BRIAN K. VAUGHAN

History Interesting Itself Repeats Trying
I like being around teenagers. It’s good for drama; they feel everything much more intensely than adults do, their lives are much more interesting than ours. They’re mutants. They have these weird bodies that are rebelling against them and changing every day. Teenagers always equal good drama.
BRIAN K. VAUGHAN

Bodies Everything Teenagers Weird

The longer I’ve been writing scripts, the more I find that you have to give the artist more leeway or else you’ll just be disappointed. You can’t force them to draw every image that’s in your head.

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Popular Authors

The longer I’ve been writing scripts, the more I find that you have to give the artist more leeway or else you’ll just be disappointed. You can’t force them to draw every image that’s in your head.

Related Topics

Popular Authors

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