Yeah, that’s right. Flee in terror, bitches!
BRIAN K. VAUGHANIf a good editor will let me tell my story with the right artist, I’m happy.
More Brian K. Vaughan Quotes
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I like being around teenagers. It’s good for drama; they feel everything much more intensely than adults do, their lives are much more interesting than ours. They’re mutants. They have these weird bodies that are rebelling against them and changing every day. Teenagers always equal good drama.
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No. No, first comes boyhood. You get to play with soldiers and spacemen, cowboys and ninjas, pirates and robots. But before you know it, all that comes to an end. And then, Remo Williams, is when the adventure begins.
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Adaptations are great, but for me, comics have always been the destination, not a stepping-stone to get somewhere else.
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That was the appealing thing about comics: There literally is no budget in comics. You’re only limited by your imagination.
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I write the book for one person – for Fiona [Staples, the artist]. I spend a lot of time just thinking how she’ll react to things and manipulating her into drawing perverse, horrific things. It’s a really weird job but I enjoy it.
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How is it possible that our parents lied to us?” “Lets see: Santa, the Tooth Fairy,the Easter bunny,um, God. You’re the prettiest kid in school. This wont hurt a bit. Your face will freeze like that…” “Everythings going to be alright.
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Life is mostly just learning how to lose.
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If a good editor will let me tell my story with the right artist, I’m happy.
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The longer I’ve been writing scripts, the more I find that you have to give the artist more leeway or else you’ll just be disappointed. You can’t force them to draw every image that’s in your head.
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I mean, do you know what you get when you call a suicide hotline in New York city? A busy signal. Literally.
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I’m still digesting the ’90s. It takes some time to get perspective.
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After 9/11, I knew I wanted to write about power and identity and the way Americans on all sides of the political spectrum often mythologize our leaders, which are themes that the superhero genre has always handled really well.
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I genuinely am sort of an emotionally stunted man-child, so if I just write to the top of my intelligence, it sounds like a teenager.
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My mom once told me that a good relationship isn’t where the other person makes you feel better, but where they make *you* better.
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I’m the one who started spreading that particular factoid, about Bendis, Azz and me all being bald Brian’s from Cleveland, just to get my name mentioned in the same sentence as two much-better writers, and it’s worked like a goddamn charm.
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Not a word of my writing has ever been changed by another person’s hands, and I don’t think many screenwriters can say that.
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I think there is a possible future where maybe we do just take a hard turn away from the Internet and we do start valuing our privacy again.
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Fantasy/science-fiction stories have been around almost as long as each genre, but every hybrid now lives in the shadow of ‘Star Wars.’
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Victor: You guys have some kind of rallying cry? You know, “Avengers assemble?” “It’s clobberin’ time?” “Hulk smash?” Nico: “Try not to die.
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Pacifists are like vegans, I’m more of a vegetarian. I enjoy fish and occasional maulings.
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It was interesting looking back at the ’80s and trying to find newspaper headlines from the time – the cliché of history repeating itself.
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There’s just something about that late ’80s that suddenly feels like it has something to teach us.
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I’ve always thought of fantasy as a genre of best-case scenarios, and horror as a genre of worst-case scenarios.
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We describe [Paper Girls] as Stand By Me meets Terminator.It’s a story about nostalgia and childhood, but with an action-packed, sci-fi bent.
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Everyone had a mother, even if she had to leave us on a stranger’s doorstep. No matter how we’re eventually raised, all of our stories begin the exact same way. They all end the same, too.
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A comic script is basically a love letter from you to your artist.
BRIAN K. VAUGHAN