After 9/11, I knew I wanted to write about power and identity and the way Americans on all sides of the political spectrum often mythologize our leaders, which are themes that the superhero genre has always handled really well.
BRIAN K. VAUGHANI’m still digesting the ’90s. It takes some time to get perspective.
More Brian K. Vaughan Quotes
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A comic script is basically a love letter from you to your artist.
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Some people are haunted by their pasts, but not my family. I mean, how can you be haunted by something that never really dies?
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Not a word of my writing has ever been changed by another person’s hands, and I don’t think many screenwriters can say that.
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Fantasy/science-fiction stories have been around almost as long as each genre, but every hybrid now lives in the shadow of ‘Star Wars.’
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I like things that are weirdly imaginative and couldn’t be real, but I also like stories that are recognizable and relatable.
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I’m still digesting the ’90s. It takes some time to get perspective.
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We describe [Paper Girls] as Stand By Me meets Terminator.It’s a story about nostalgia and childhood, but with an action-packed, sci-fi bent.
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Adaptations are great, but for me, comics have always been the destination, not a stepping-stone to get somewhere else.
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The appealing thing about comics: There literally is no budget in comics. You’re only limited by your imagination.
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I think there is a possible future where maybe we do just take a hard turn away from the Internet and we do start valuing our privacy again.
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Every issue, the characters and I duke it out. They usually win.
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I grew up in the suburbs of Cleveland in 1988 and there was just one year where suddenly all of the delivery kids that used to be boys were suddenly girls. It happened at our church too. Altar boys were suddenly altar girls.
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I like being around teenagers. It’s good for drama; they feel everything much more intensely than adults do, their lives are much more interesting than ours. They’re mutants. They have these weird bodies that are rebelling against them and changing every day. Teenagers always equal good drama.
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Immigration confuses and terrifies me, so why not try to write a comic and make some sense of it?
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I love that the book [Paper Girls ] gets to kind of evolve and change in each era. Our third storyline is our best so far.
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After ten years of toiling away in Hollywood, I realized that there’s no better place for new ideas than comics.
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The longer I’ve been writing scripts, the more I find that you have to give the artist more leeway or else you’ll just be disappointed. You can’t force them to draw every image that’s in your head.
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Everyone had a mother, even if she had to leave us on a stranger’s doorstep. No matter how we’re eventually raised, all of our stories begin the exact same way. They all end the same, too.
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There’s just something about that late ’80s that suddenly feels like it has something to teach us.
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My mom once told me that a good relationship isn’t where the other person makes you feel better, but where they make *you* better.
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I think some people are just very passionate that things remain the way they were when they were kids.
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I write the book for one person – for Fiona [Staples, the artist]. I spend a lot of time just thinking how she’ll react to things and manipulating her into drawing perverse, horrific things. It’s a really weird job but I enjoy it.
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These are the young women [in Stand by Me] that we grew up knowing and hopefully they feel a little rough around the edges, because it’s true to life.
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I’m 40 now, and I have children of my own. Before I forget my own childhood completely, I want to take some time to take a look at the ’80s and think back.
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Life is mostly just learning how to lose.
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If a good editor will let me tell my story with the right artist, I’m happy.
BRIAN K. VAUGHAN