These are the young women [in Stand by Me] that we grew up knowing and hopefully they feel a little rough around the edges, because it’s true to life.
BRIAN K. VAUGHANI grew up in the suburbs of Cleveland in 1988 and there was just one year where suddenly all of the delivery kids that used to be boys were suddenly girls. It happened at our church too. Altar boys were suddenly altar girls.
More Brian K. Vaughan Quotes
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The appealing thing about comics: There literally is no budget in comics. You’re only limited by your imagination.
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There’s just something about that late ’80s that suddenly feels like it has something to teach us.
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Life is mostly just learning how to lose.
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Pacifists are like vegans, I’m more of a vegetarian. I enjoy fish and occasional maulings.
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Adaptations are great, but for me, comics have always been the destination, not a stepping-stone to get somewhere else.
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Fantasy/science-fiction stories have been around almost as long as each genre, but every hybrid now lives in the shadow of ‘Star Wars.’
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Not a word of my writing has ever been changed by another person’s hands, and I don’t think many screenwriters can say that.
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I mean, do you know what you get when you call a suicide hotline in New York city? A busy signal. Literally.
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Next up, I’m going to grow a big, disgusting beard, just so people will start talking about Alan Moore and me in the same breath.
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We describe [Paper Girls] as Stand By Me meets Terminator.It’s a story about nostalgia and childhood, but with an action-packed, sci-fi bent.
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The longer I’ve been writing scripts, the more I find that you have to give the artist more leeway or else you’ll just be disappointed. You can’t force them to draw every image that’s in your head.
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I know I’m a grumpy old man, but I’m always more delighted by readers talking about the actual comics than people talking about how eager they are to have their favorite comics be “elevated” into another medium.
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Immigration confuses and terrifies me, so why not try to write a comic and make some sense of it?
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I remember seeing Stand by Me, when I was around 12, and just feeling like, “This is so refreshing to see kids swear and smoke cigarettes like my friends.” It just felt much more real than the Sesame Street version of childhood that I’d been spoon-fed.
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I like being around teenagers. It’s good for drama; they feel everything much more intensely than adults do, their lives are much more interesting than ours. They’re mutants. They have these weird bodies that are rebelling against them and changing every day. Teenagers always equal good drama.
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After 9/11, I knew I wanted to write about power and identity and the way Americans on all sides of the political spectrum often mythologize our leaders, which are themes that the superhero genre has always handled really well.
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If a good editor will let me tell my story with the right artist, I’m happy.
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I think there is a possible future where maybe we do just take a hard turn away from the Internet and we do start valuing our privacy again.
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Some people are haunted by their pasts, but not my family. I mean, how can you be haunted by something that never really dies?
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To try and imagine that I’m another person is always going to be hard – whether I’m writing about a truck driver or someone who is gay, who’s trans, who is of a different ethnicity or creed. But it would be boring if I always had to write about myself and my limited viewpoint.
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I grew up in the suburbs of Cleveland in 1988 and there was just one year where suddenly all of the delivery kids that used to be boys were suddenly girls. It happened at our church too. Altar boys were suddenly altar girls.
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Doesn’t matter if it’s personal or professional, a good partnership takes work.
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I like things that are weirdly imaginative and couldn’t be real, but I also like stories that are recognizable and relatable.
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I genuinely am sort of an emotionally stunted man-child, so if I just write to the top of my intelligence, it sounds like a teenager.
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No. No, first comes boyhood. You get to play with soldiers and spacemen, cowboys and ninjas, pirates and robots. But before you know it, all that comes to an end. And then, Remo Williams, is when the adventure begins.
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Everyone had a mother, even if she had to leave us on a stranger’s doorstep. No matter how we’re eventually raised, all of our stories begin the exact same way. They all end the same, too.
BRIAN K. VAUGHAN