These are the young women [in Stand by Me] that we grew up knowing and hopefully they feel a little rough around the edges, because it’s true to life.
BRIAN K. VAUGHANDoesn’t matter if it’s personal or professional, a good partnership takes work.
More Brian K. Vaughan Quotes
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It was interesting looking back at the ’80s and trying to find newspaper headlines from the time – the cliché of history repeating itself.
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The appealing thing about comics: There literally is no budget in comics. You’re only limited by your imagination.
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I know I’m a grumpy old man, but I’m always more delighted by readers talking about the actual comics than people talking about how eager they are to have their favorite comics be “elevated” into another medium.
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Next up, I’m going to grow a big, disgusting beard, just so people will start talking about Alan Moore and me in the same breath.
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I genuinely am sort of an emotionally stunted man-child, so if I just write to the top of my intelligence, it sounds like a teenager.
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I write the book for one person – for Fiona [Staples, the artist]. I spend a lot of time just thinking how she’ll react to things and manipulating her into drawing perverse, horrific things. It’s a really weird job but I enjoy it.
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I’m the one who started spreading that particular factoid, about Bendis, Azz and me all being bald Brian’s from Cleveland, just to get my name mentioned in the same sentence as two much-better writers, and it’s worked like a goddamn charm.
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I grew up in the suburbs of Cleveland in 1988 and there was just one year where suddenly all of the delivery kids that used to be boys were suddenly girls. It happened at our church too. Altar boys were suddenly altar girls.
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I think some people are just very passionate that things remain the way they were when they were kids.
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No. No, first comes boyhood. You get to play with soldiers and spacemen, cowboys and ninjas, pirates and robots. But before you know it, all that comes to an end. And then, Remo Williams, is when the adventure begins.
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Not a word of my writing has ever been changed by another person’s hands, and I don’t think many screenwriters can say that.
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Immigration confuses and terrifies me, so why not try to write a comic and make some sense of it?
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Every issue, the characters and I duke it out. They usually win.
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Adaptations are great, but for me, comics have always been the destination, not a stepping-stone to get somewhere else.
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Doesn’t matter if it’s personal or professional, a good partnership takes work.
BRIAN K. VAUGHAN






