I mean, do you know what you get when you call a suicide hotline in New York city? A busy signal. Literally.
BRIAN K. VAUGHANYeah, that’s right. Flee in terror, bitches!
More Brian K. Vaughan Quotes
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Doesn’t matter if it’s personal or professional, a good partnership takes work.
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After 9/11, I knew I wanted to write about power and identity and the way Americans on all sides of the political spectrum often mythologize our leaders, which are themes that the superhero genre has always handled really well.
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I grew up in the suburbs of Cleveland in 1988 and there was just one year where suddenly all of the delivery kids that used to be boys were suddenly girls. It happened at our church too. Altar boys were suddenly altar girls.
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There’s just something about that late ’80s that suddenly feels like it has something to teach us.
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I know I’m a grumpy old man, but I’m always more delighted by readers talking about the actual comics than people talking about how eager they are to have their favorite comics be “elevated” into another medium.
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I’m not afraid of the world. I’m afraid of a world without you.
BRIAN K. VAUGHAN -
I’m the one who started spreading that particular factoid, about Bendis, Azz and me all being bald Brian’s from Cleveland, just to get my name mentioned in the same sentence as two much-better writers, and it’s worked like a goddamn charm.
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I genuinely am sort of an emotionally stunted man-child, so if I just write to the top of my intelligence, it sounds like a teenager.
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These are the young women [in Stand by Me] that we grew up knowing and hopefully they feel a little rough around the edges, because it’s true to life.
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I remember seeing Stand by Me, when I was around 12, and just feeling like, “This is so refreshing to see kids swear and smoke cigarettes like my friends.” It just felt much more real than the Sesame Street version of childhood that I’d been spoon-fed.
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After ten years of toiling away in Hollywood, I realized that there’s no better place for new ideas than comics.
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I’ve always thought of fantasy as a genre of best-case scenarios, and horror as a genre of worst-case scenarios.
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The longer I’ve been writing scripts, the more I find that you have to give the artist more leeway or else you’ll just be disappointed. You can’t force them to draw every image that’s in your head.
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I like things that are weirdly imaginative and couldn’t be real, but I also like stories that are recognizable and relatable.
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What cruel creatures men are. Our bodies tell us to love so many, but there’s room in our hearts for so few.
BRIAN K. VAUGHAN