Doesn’t matter if it’s personal or professional, a good partnership takes work.
BRIAN K. VAUGHANAfter ten years of toiling away in Hollywood, I realized that there’s no better place for new ideas than comics.
More Brian K. Vaughan Quotes
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After ten years of toiling away in Hollywood, I realized that there’s no better place for new ideas than comics.
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Pacifists are like vegans, I’m more of a vegetarian. I enjoy fish and occasional maulings.
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Immigration confuses and terrifies me, so why not try to write a comic and make some sense of it?
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What cruel creatures men are. Our bodies tell us to love so many, but there’s room in our hearts for so few.
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After 9/11, I knew I wanted to write about power and identity and the way Americans on all sides of the political spectrum often mythologize our leaders, which are themes that the superhero genre has always handled really well.
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Everyone had a mother, even if she had to leave us on a stranger’s doorstep. No matter how we’re eventually raised, all of our stories begin the exact same way. They all end the same, too.
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We’ve all seen lots of stories about a young protagonist having adventures, and usually they’re all boys, [and] there is sometimes a token female, or two.
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To try and imagine that I’m another person is always going to be hard – whether I’m writing about a truck driver or someone who is gay, who’s trans, who is of a different ethnicity or creed. But it would be boring if I always had to write about myself and my limited viewpoint.
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Victor: You guys have some kind of rallying cry? You know, “Avengers assemble?” “It’s clobberin’ time?” “Hulk smash?” Nico: “Try not to die.
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Fans of my books have just been supremely nice.
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I don’t start a story until I know where it’s going to end.
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That was the appealing thing about comics: There literally is no budget in comics. You’re only limited by your imagination.
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I know I’m a grumpy old man, but I’m always more delighted by readers talking about the actual comics than people talking about how eager they are to have their favorite comics be “elevated” into another medium.
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How is it possible that our parents lied to us?” “Lets see: Santa, the Tooth Fairy,the Easter bunny,um, God. You’re the prettiest kid in school. This wont hurt a bit. Your face will freeze like that…” “Everythings going to be alright.
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These are the young women [in Stand by Me] that we grew up knowing and hopefully they feel a little rough around the edges, because it’s true to life.
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Not a word of my writing has ever been changed by another person’s hands, and I don’t think many screenwriters can say that.
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No. No, first comes boyhood. You get to play with soldiers and spacemen, cowboys and ninjas, pirates and robots. But before you know it, all that comes to an end. And then, Remo Williams, is when the adventure begins.
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A comic script is basically a love letter from you to your artist.
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The longer I’ve been writing scripts, the more I find that you have to give the artist more leeway or else you’ll just be disappointed. You can’t force them to draw every image that’s in your head.
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Fantasy/science-fiction stories have been around almost as long as each genre, but every hybrid now lives in the shadow of ‘Star Wars.’
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I write the book for one person – for Fiona [Staples, the artist]. I spend a lot of time just thinking how she’ll react to things and manipulating her into drawing perverse, horrific things. It’s a really weird job but I enjoy it.
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If a good editor will let me tell my story with the right artist, I’m happy.
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There’s just something about that late ’80s that suddenly feels like it has something to teach us.
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I’m still digesting the ’90s. It takes some time to get perspective.
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Adaptations are great, but for me, comics have always been the destination, not a stepping-stone to get somewhere else.
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Next up, I’m going to grow a big, disgusting beard, just so people will start talking about Alan Moore and me in the same breath.
BRIAN K. VAUGHAN