It was interesting looking back at the ’80s and trying to find newspaper headlines from the time – the cliché of history repeating itself.
BRIAN K. VAUGHANThe longer I’ve been writing scripts, the more I find that you have to give the artist more leeway or else you’ll just be disappointed. You can’t force them to draw every image that’s in your head.
More Brian K. Vaughan Quotes
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I grew up in the suburbs of Cleveland in 1988 and there was just one year where suddenly all of the delivery kids that used to be boys were suddenly girls. It happened at our church too. Altar boys were suddenly altar girls.
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The longer I’ve been writing scripts, the more I find that you have to give the artist more leeway or else you’ll just be disappointed. You can’t force them to draw every image that’s in your head.
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These are the young women [in Stand by Me] that we grew up knowing and hopefully they feel a little rough around the edges, because it’s true to life.
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I love that the book [Paper Girls ] gets to kind of evolve and change in each era. Our third storyline is our best so far.
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I’m the one who started spreading that particular factoid, about Bendis, Azz and me all being bald Brian’s from Cleveland, just to get my name mentioned in the same sentence as two much-better writers, and it’s worked like a goddamn charm.
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No. No, first comes boyhood. You get to play with soldiers and spacemen, cowboys and ninjas, pirates and robots. But before you know it, all that comes to an end. And then, Remo Williams, is when the adventure begins.
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There’s just something about that late ’80s that suddenly feels like it has something to teach us.
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I think some people are just very passionate that things remain the way they were when they were kids.
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Fantasy/science-fiction stories have been around almost as long as each genre, but every hybrid now lives in the shadow of ‘Star Wars.’
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Fans of my books have just been supremely nice.
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Everyone had a mother, even if she had to leave us on a stranger’s doorstep. No matter how we’re eventually raised, all of our stories begin the exact same way. They all end the same, too.
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Next up, I’m going to grow a big, disgusting beard, just so people will start talking about Alan Moore and me in the same breath.
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I think there is a possible future where maybe we do just take a hard turn away from the Internet and we do start valuing our privacy again.
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We’ve all seen lots of stories about a young protagonist having adventures, and usually they’re all boys, [and] there is sometimes a token female, or two.
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Victor: You guys have some kind of rallying cry? You know, “Avengers assemble?” “It’s clobberin’ time?” “Hulk smash?” Nico: “Try not to die.
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Pacifists are like vegans, I’m more of a vegetarian. I enjoy fish and occasional maulings.
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I’m 40 now, and I have children of my own. Before I forget my own childhood completely, I want to take some time to take a look at the ’80s and think back.
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I genuinely am sort of an emotionally stunted man-child, so if I just write to the top of my intelligence, it sounds like a teenager.
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Immigration confuses and terrifies me, so why not try to write a comic and make some sense of it?
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Some people are haunted by their pasts, but not my family. I mean, how can you be haunted by something that never really dies?
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I write the book for one person – for Fiona [Staples, the artist]. I spend a lot of time just thinking how she’ll react to things and manipulating her into drawing perverse, horrific things. It’s a really weird job but I enjoy it.
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Every issue, the characters and I duke it out. They usually win.
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Adaptations are great, but for me, comics have always been the destination, not a stepping-stone to get somewhere else.
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After 9/11, I knew I wanted to write about power and identity and the way Americans on all sides of the political spectrum often mythologize our leaders, which are themes that the superhero genre has always handled really well.
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The appealing thing about comics: There literally is no budget in comics. You’re only limited by your imagination.
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Not a word of my writing has ever been changed by another person’s hands, and I don’t think many screenwriters can say that.
BRIAN K. VAUGHAN