How is it possible that our parents lied to us?” “Lets see: Santa, the Tooth Fairy,the Easter bunny,um, God. You’re the prettiest kid in school. This wont hurt a bit. Your face will freeze like that…” “Everythings going to be alright.
BRIAN K. VAUGHANEveryone had a mother, even if she had to leave us on a stranger’s doorstep. No matter how we’re eventually raised, all of our stories begin the exact same way. They all end the same, too.
More Brian K. Vaughan Quotes
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I know I’m a grumpy old man, but I’m always more delighted by readers talking about the actual comics than people talking about how eager they are to have their favorite comics be “elevated” into another medium.
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I genuinely am sort of an emotionally stunted man-child, so if I just write to the top of my intelligence, it sounds like a teenager.
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Pacifists are like vegans, I’m more of a vegetarian. I enjoy fish and occasional maulings.
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Every issue, the characters and I duke it out. They usually win.
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The longer I’ve been writing scripts, the more I find that you have to give the artist more leeway or else you’ll just be disappointed. You can’t force them to draw every image that’s in your head.
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After ten years of toiling away in Hollywood, I realized that there’s no better place for new ideas than comics.
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To try and imagine that I’m another person is always going to be hard – whether I’m writing about a truck driver or someone who is gay, who’s trans, who is of a different ethnicity or creed. But it would be boring if I always had to write about myself and my limited viewpoint.
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Not a word of my writing has ever been changed by another person’s hands, and I don’t think many screenwriters can say that.
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Immigration confuses and terrifies me, so why not try to write a comic and make some sense of it?
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There’s just something about that late ’80s that suddenly feels like it has something to teach us.
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Everyone had a mother, even if she had to leave us on a stranger’s doorstep. No matter how we’re eventually raised, all of our stories begin the exact same way. They all end the same, too.
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I’m 40 now, and I have children of my own. Before I forget my own childhood completely, I want to take some time to take a look at the ’80s and think back.
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Victor: You guys have some kind of rallying cry? You know, “Avengers assemble?” “It’s clobberin’ time?” “Hulk smash?” Nico: “Try not to die.
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Next up, I’m going to grow a big, disgusting beard, just so people will start talking about Alan Moore and me in the same breath.
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What cruel creatures men are. Our bodies tell us to love so many, but there’s room in our hearts for so few.
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We’ve all seen lots of stories about a young protagonist having adventures, and usually they’re all boys, [and] there is sometimes a token female, or two.
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I’ve always thought of fantasy as a genre of best-case scenarios, and horror as a genre of worst-case scenarios.
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I write the book for one person – for Fiona [Staples, the artist]. I spend a lot of time just thinking how she’ll react to things and manipulating her into drawing perverse, horrific things. It’s a really weird job but I enjoy it.
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Yeah, that’s right. Flee in terror, bitches!
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My mom once told me that a good relationship isn’t where the other person makes you feel better, but where they make *you* better.
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If a good editor will let me tell my story with the right artist, I’m happy.
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I’m still digesting the ’90s. It takes some time to get perspective.
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I love that the book [Paper Girls ] gets to kind of evolve and change in each era. Our third storyline is our best so far.
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After 9/11, I knew I wanted to write about power and identity and the way Americans on all sides of the political spectrum often mythologize our leaders, which are themes that the superhero genre has always handled really well.
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Adaptations are great, but for me, comics have always been the destination, not a stepping-stone to get somewhere else.
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A comic script is basically a love letter from you to your artist.
BRIAN K. VAUGHAN