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After 9/11, I knew I wanted to write about power and identity and the way Americans on all sides of the political spectrum often mythologize our leaders, which are themes that the superhero genre has always handled really well.

Brian K. Vaughan

Doesn’t matter if it’s personal or professional, a good partnership takes work.
BRIAN K. VAUGHAN

Good Matter Partnership
What cruel creatures men are. Our bodies tell us to love so many, but there’s room in our hearts for so few.
BRIAN K. VAUGHAN

Body Heart Men
Next up, I’m going to grow a big, disgusting beard, just so people will start talking about Alan Moore and me in the same breath.
BRIAN K. VAUGHAN

Breathe Disgusting Next People Same
That was the appealing thing about comics: There literally is no budget in comics. You’re only limited by your imagination.
BRIAN K. VAUGHAN

Budgets Comic Imagination
Yeah, that’s right. Flee in terror, bitches!
BRIAN K. VAUGHAN

Bichest Terror Yeah
Fantasy/science-fiction stories have been around almost as long as each genre, but every hybrid now lives in the shadow of ‘Star Wars.’
BRIAN K. VAUGHAN

Fiction Stars Stories War
It was interesting looking back at the ’80s and trying to find newspaper headlines from the time – the cliché of history repeating itself.
BRIAN K. VAUGHAN

History Interesting Itself Repeats Trying
I think some people are just very passionate that things remain the way they were when they were kids.
BRIAN K. VAUGHAN

Kids People Thinking
I remember seeing Stand by Me, when I was around 12, and just feeling like, “This is so refreshing to see kids swear and smoke cigarettes like my friends.” It just felt much more real than the Sesame Street version of childhood that I’d been spoon-fed.
BRIAN K. VAUGHAN

Childhood Friend Kids Real Refresh
I grew up in the suburbs of Cleveland in 1988 and there was just one year where suddenly all of the delivery kids that used to be boys were suddenly girls. It happened at our church too. Altar boys were suddenly altar girls.
BRIAN K. VAUGHAN

Boys Girl Happen Kids Suddenly
I write the book for one person – for Fiona [Staples, the artist]. I spend a lot of time just thinking how she’ll react to things and manipulating her into drawing perverse, horrific things. It’s a really weird job but I enjoy it.
BRIAN K. VAUGHAN

Books Jobs Manipulate Thinking Writing
A comic script is basically a love letter from you to your artist.
BRIAN K. VAUGHAN

Artists Letters Scripts
To try and imagine that I’m another person is always going to be hard – whether I’m writing about a truck driver or someone who is gay, who’s trans, who is of a different ethnicity or creed. But it would be boring if I always had to write about myself and my limited viewpoint.
BRIAN K. VAUGHAN

Ethnicity Gay Writing
I like being around teenagers. It’s good for drama; they feel everything much more intensely than adults do, their lives are much more interesting than ours. They’re mutants. They have these weird bodies that are rebelling against them and changing every day. Teenagers always equal good drama.
BRIAN K. VAUGHAN

Bodies Everything Teenagers Weird
I like things that are weirdly imaginative and couldn’t be real, but I also like stories that are recognizable and relatable.
BRIAN K. VAUGHAN

Imaginative Real Stories
I’m the one who started spreading that particular factoid, about Bendis, Azz and me all being bald Brian’s from Cleveland, just to get my name mentioned in the same sentence as two much-better writers, and it’s worked like a goddamn charm.
BRIAN K. VAUGHAN

Factor Mention Names Talking Two

After 9/11, I knew I wanted to write about power and identity and the way Americans on all sides of the political spectrum often mythologize our leaders, which are themes that the superhero genre has always handled really well.

Related Topics

Popular Authors

After 9/11, I knew I wanted to write about power and identity and the way Americans on all sides of the political spectrum often mythologize our leaders, which are themes that the superhero genre has always handled really well.

Related Topics

Popular Authors

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