Everyone had a mother, even if she had to leave us on a stranger’s doorstep. No matter how we’re eventually raised, all of our stories begin the exact same way. They all end the same, too.
BRIAN K. VAUGHANVictor: You guys have some kind of rallying cry? You know, “Avengers assemble?” “It’s clobberin’ time?” “Hulk smash?” Nico: “Try not to die.
More Brian K. Vaughan Quotes
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My mom once told me that a good relationship isn’t where the other person makes you feel better, but where they make *you* better.
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What cruel creatures men are. Our bodies tell us to love so many, but there’s room in our hearts for so few.
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After 9/11, I knew I wanted to write about power and identity and the way Americans on all sides of the political spectrum often mythologize our leaders, which are themes that the superhero genre has always handled really well.
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Doesn’t matter if it’s personal or professional, a good partnership takes work.
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Next up, I’m going to grow a big, disgusting beard, just so people will start talking about Alan Moore and me in the same breath.
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I like things that are weirdly imaginative and couldn’t be real, but I also like stories that are recognizable and relatable.
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After ten years of toiling away in Hollywood, I realized that there’s no better place for new ideas than comics.
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I think some people are just very passionate that things remain the way they were when they were kids.
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We describe [Paper Girls] as Stand By Me meets Terminator.It’s a story about nostalgia and childhood, but with an action-packed, sci-fi bent.
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The appealing thing about comics: There literally is no budget in comics. You’re only limited by your imagination.
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To try and imagine that I’m another person is always going to be hard – whether I’m writing about a truck driver or someone who is gay, who’s trans, who is of a different ethnicity or creed. But it would be boring if I always had to write about myself and my limited viewpoint.
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I write the book for one person – for Fiona [Staples, the artist]. I spend a lot of time just thinking how she’ll react to things and manipulating her into drawing perverse, horrific things. It’s a really weird job but I enjoy it.
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I grew up in the suburbs of Cleveland in 1988 and there was just one year where suddenly all of the delivery kids that used to be boys were suddenly girls. It happened at our church too. Altar boys were suddenly altar girls.
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If a good editor will let me tell my story with the right artist, I’m happy.
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It was interesting looking back at the ’80s and trying to find newspaper headlines from the time – the cliché of history repeating itself.
BRIAN K. VAUGHAN