Not a word of my writing has ever been changed by another person’s hands, and I don’t think many screenwriters can say that.
BRIAN K. VAUGHANWe’ve all seen lots of stories about a young protagonist having adventures, and usually they’re all boys, [and] there is sometimes a token female, or two.
More Brian K. Vaughan Quotes
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How is it possible that our parents lied to us?” “Lets see: Santa, the Tooth Fairy,the Easter bunny,um, God. You’re the prettiest kid in school. This wont hurt a bit. Your face will freeze like that…” “Everythings going to be alright.
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It was interesting looking back at the ’80s and trying to find newspaper headlines from the time – the cliché of history repeating itself.
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Immigration confuses and terrifies me, so why not try to write a comic and make some sense of it?
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Doesn’t matter if it’s personal or professional, a good partnership takes work.
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These are the young women [in Stand by Me] that we grew up knowing and hopefully they feel a little rough around the edges, because it’s true to life.
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We’ve all seen lots of stories about a young protagonist having adventures, and usually they’re all boys, [and] there is sometimes a token female, or two.
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Some people are haunted by their pasts, but not my family. I mean, how can you be haunted by something that never really dies?
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After ten years of toiling away in Hollywood, I realized that there’s no better place for new ideas than comics.
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Yeah, that’s right. Flee in terror, bitches!
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I mean, do you know what you get when you call a suicide hotline in New York city? A busy signal. Literally.
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I’m 40 now, and I have children of my own. Before I forget my own childhood completely, I want to take some time to take a look at the ’80s and think back.
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A comic script is basically a love letter from you to your artist.
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Fantasy/science-fiction stories have been around almost as long as each genre, but every hybrid now lives in the shadow of ‘Star Wars.’
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The appealing thing about comics: There literally is no budget in comics. You’re only limited by your imagination.
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Every issue, the characters and I duke it out. They usually win.
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If a good editor will let me tell my story with the right artist, I’m happy.
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I’ve always thought of fantasy as a genre of best-case scenarios, and horror as a genre of worst-case scenarios.
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After 9/11, I knew I wanted to write about power and identity and the way Americans on all sides of the political spectrum often mythologize our leaders, which are themes that the superhero genre has always handled really well.
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Pacifists are like vegans, I’m more of a vegetarian. I enjoy fish and occasional maulings.
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My mom once told me that a good relationship isn’t where the other person makes you feel better, but where they make *you* better.
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I’m the one who started spreading that particular factoid, about Bendis, Azz and me all being bald Brian’s from Cleveland, just to get my name mentioned in the same sentence as two much-better writers, and it’s worked like a goddamn charm.
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To try and imagine that I’m another person is always going to be hard – whether I’m writing about a truck driver or someone who is gay, who’s trans, who is of a different ethnicity or creed. But it would be boring if I always had to write about myself and my limited viewpoint.
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I like being around teenagers. It’s good for drama; they feel everything much more intensely than adults do, their lives are much more interesting than ours. They’re mutants. They have these weird bodies that are rebelling against them and changing every day. Teenagers always equal good drama.
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Life is mostly just learning how to lose.
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I love that the book [Paper Girls ] gets to kind of evolve and change in each era. Our third storyline is our best so far.
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I genuinely am sort of an emotionally stunted man-child, so if I just write to the top of my intelligence, it sounds like a teenager.
BRIAN K. VAUGHAN