Some people are haunted by their pasts, but not my family. I mean, how can you be haunted by something that never really dies?
BRIAN K. VAUGHANI mean, do you know what you get when you call a suicide hotline in New York city? A busy signal. Literally.
More Brian K. Vaughan Quotes
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Doesn’t matter if it’s personal or professional, a good partnership takes work.
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It was interesting looking back at the ’80s and trying to find newspaper headlines from the time – the cliché of history repeating itself.
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Immigration confuses and terrifies me, so why not try to write a comic and make some sense of it?
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There’s just something about that late ’80s that suddenly feels like it has something to teach us.
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To try and imagine that I’m another person is always going to be hard – whether I’m writing about a truck driver or someone who is gay, who’s trans, who is of a different ethnicity or creed. But it would be boring if I always had to write about myself and my limited viewpoint.
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Every issue, the characters and I duke it out. They usually win.
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I’m not afraid of the world. I’m afraid of a world without you.
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After 9/11, I knew I wanted to write about power and identity and the way Americans on all sides of the political spectrum often mythologize our leaders, which are themes that the superhero genre has always handled really well.
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Pacifists are like vegans, I’m more of a vegetarian. I enjoy fish and occasional maulings.
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I’m still digesting the ’90s. It takes some time to get perspective.
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Yeah, that’s right. Flee in terror, bitches!
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I love that the book [Paper Girls ] gets to kind of evolve and change in each era. Our third storyline is our best so far.
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No. No, first comes boyhood. You get to play with soldiers and spacemen, cowboys and ninjas, pirates and robots. But before you know it, all that comes to an end. And then, Remo Williams, is when the adventure begins.
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I like being around teenagers. It’s good for drama; they feel everything much more intensely than adults do, their lives are much more interesting than ours. They’re mutants. They have these weird bodies that are rebelling against them and changing every day. Teenagers always equal good drama.
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I write the book for one person – for Fiona [Staples, the artist]. I spend a lot of time just thinking how she’ll react to things and manipulating her into drawing perverse, horrific things. It’s a really weird job but I enjoy it.
BRIAN K. VAUGHAN