That was the appealing thing about comics: There literally is no budget in comics. You’re only limited by your imagination.
BRIAN K. VAUGHANI like things that are weirdly imaginative and couldn’t be real, but I also like stories that are recognizable and relatable.
More Brian K. Vaughan Quotes
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These are the young women [in Stand by Me] that we grew up knowing and hopefully they feel a little rough around the edges, because it’s true to life.
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I love that the book [Paper Girls ] gets to kind of evolve and change in each era. Our third storyline is our best so far.
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I’m still digesting the ’90s. It takes some time to get perspective.
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What cruel creatures men are. Our bodies tell us to love so many, but there’s room in our hearts for so few.
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A comic script is basically a love letter from you to your artist.
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I genuinely am sort of an emotionally stunted man-child, so if I just write to the top of my intelligence, it sounds like a teenager.
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Yeah, that’s right. Flee in terror, bitches!
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Victor: You guys have some kind of rallying cry? You know, “Avengers assemble?” “It’s clobberin’ time?” “Hulk smash?” Nico: “Try not to die.
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Fans of my books have just been supremely nice.
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To try and imagine that I’m another person is always going to be hard – whether I’m writing about a truck driver or someone who is gay, who’s trans, who is of a different ethnicity or creed. But it would be boring if I always had to write about myself and my limited viewpoint.
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Adaptations are great, but for me, comics have always been the destination, not a stepping-stone to get somewhere else.
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We’ve all seen lots of stories about a young protagonist having adventures, and usually they’re all boys, [and] there is sometimes a token female, or two.
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I like things that are weirdly imaginative and couldn’t be real, but I also like stories that are recognizable and relatable.
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After 9/11, I knew I wanted to write about power and identity and the way Americans on all sides of the political spectrum often mythologize our leaders, which are themes that the superhero genre has always handled really well.
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I mean, do you know what you get when you call a suicide hotline in New York city? A busy signal. Literally.
BRIAN K. VAUGHAN