Maturity: knowing where you’re crazy, trying to warn others of the fact and striving to keep yourself under control.
ALAIN DE BOTTONThe pleasure we derive from journeys is perhaps dependent more on the mindset with which we travel than on the destination we travel to.
More Alain de Botton Quotes
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These inventors were elevating the formulation of entrepreneurial ideas to the status of a visionary activity. Though forced to justify their efforts in the pragmatic language of venture capital, they were at heart utopian thinkers intent on transforming the world.
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Kant and Hegel are interesting thinkers. But I am happy to insist that they are also terrible writers.
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In the works of Lucretius, we find two reasons why we shouldn’t worry about death. If you have had a successful life, Lucretius tell us, there’s no reason to mind its end. And, if you haven’t had a good time, “Why do you seek to add more years, which would also pass but ill?”
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In a secularising world, art has replaced religion as a touchstone of our reverence and devotion.
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The pleasure we derive from journeys is perhaps dependent more on the mindset with which we travel than on the destination we travel to.
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It’s hard loving those who don’t much like themselves: “If you’re so great, why would you think I’m so great.
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In their different ways, art and philosophy help us, in Schopenhauer’s words, to turn pain into knowledge.
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Our capacity to draw happiness from aesthetic objects or material goods in fact seems critically dependent on our first satisfying a more important range of emotional or psychological needs, among them the need for understanding, for love, expression and respect.
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You normally have to be bashed about a bit by life to see the point of daffodils, sunsets and uneventful nice days.
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William James once made an acute point about the relationship between happiness and expectation. He argued that satisfaction with ourselves does not require us to succeed in every endeavour.
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If we are inclined to forget how much there is in the world besides that which we anticipate, then works of art are perhaps a little to blame, for in them we find at work the same process of simplification or selection as in the imagination.
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How do the stems connect to the roots?’ ‘Where is the mist coming from?’ ‘Why does one tree seem darker than another?’ These questions are implicitly asked and answered in the process of sketching.
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There is real danger of a disconnect between what’s on your business card and who you are deep inside, and it’s not a disconnect that the world is ready to be patient with.
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The problem isn’t so much finding good ideas (there is no shortage) as embedding the ones we have into everyday practice.
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One rarely falls in love without being as much attracted to what is interestingly wrong with someone as what is objectively healthy.
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