When I see someone like Richard Dawkins, I see my father. I grew up with that. I’m basically the child of Richard Dawkins.
ALAIN DE BOTTONThe pleasure we derive from journeys is perhaps dependent more on the mindset with which we travel than on the destination we travel to.
More Alain de Botton Quotes
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Taking photographs can assuage the itch for possession sparked by the beauty of a place; our anxiety over losing a precious scene can decline with every click of the shutter.
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Forgiveness requires a sense that bad behaviour is a sign of suffering rather than malice.
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Architects themselves tend to shy away from the word, preferring instead to talk about the manipulation of space.
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It is by finding out what something is not that one comes closest to understanding what it is.
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Our responses to the world are crucially moulded by the company we keep, for we temper our curiosity to fit in with the expectations of others.
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I went to church and couldn’t swallow it. The music was nice but I don’t belong there.
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The best cure for one’s bad tendencies is to see them in action in another person.
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The attentions of others matter to us because we are afflicted by a congenital uncertainty as to our own value, as a result of which affliction we tend to allow others’ appraisals to play a determining role in how we see ourselves. Our sense of identity is held captive by the judgements of those we live among.
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Booksellers are the most valuable destination for the lonely, given the numbers of books that were written because authors couldn’t find anyone to talk to.
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Getting to the top has an unfortunate tendency to persuade people that the system is OK after all.
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Every time we feel satisfied with what we have, we can be counted as rich, however little we may actually possess.
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Without sex, we would be dangerously invulnerable. We might believe we were not ridiculous. We wouldn’t know rejection and humiliation so intimately.
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It is in dialogue with pain that many beautiful things acquire their value. Acquaintance with grief turns out to be one of the more unusual prerequisites of architectural appreciation. We might, quite aside from all other requirements, need to be a little sad before buildings can properly touch us.
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Being content is perhaps no less easy than playing the violin well: and requires no less practice.
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Good books put a finger on emotions that are deeply our own – but that we could never have described on our own.
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