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Gleaning is getting things that are abandoned. I did not abandon my early pictures, my photos, my early films. It’s just going through my body of work as something I can pick from.

Agnes Varda

Humor is such a strong weapon, such a strong answer.
AGNES VARDA

Answer Humor Strong Such Thinking Weapon
People like my films. They understand me through my films; it’s like a connection that has been established between all my work and myself and the audience and the viewer.
AGNES VARDA

Connection Established Film People Understand
I think people should be different. I love people who don’t go by the rule that you have to be careful because you’re old, you have to do this and that, you have to eat this and that.
AGNES VARDA

Care Careful Different People Think Thinking
Sometimes I say, If I had seen some masterpieces, maybe I wouldn’t have dared start. I started very – not innocent, but naïve in a way.
AGNES VARDA

Draed Innocent Masterpiece Say Sometimes Start Way
I wanted to speak strongly about feminism in my life, since it’s been a struggle.
AGNES VARDA

Feminism Speak Struggle Wanted
I had a world. I don’t think I had a career. I made films.
AGNES VARDA

Career Film Made Thinking World
To share a lot of ideas – not ideas – emotions, a way of looking at people, a way of looking at life. If it can be shared, it means there is a common denominator.
AGNES VARDA

Emotion Idea Life Looking Lot Mean People Share
I think the digital cameras have changed my view. Even though sometimes, including the installations that I show, I mix 35mm filming and video handmade.
AGNES VARDA

Camera Changed Digital Filming Handmade Installation Video View
I call [ordinary people] real people, because they have in themselves an incredible treasure – stories, a way of speaking, a way of sharing, an innocence and a perversity which I find very interesting to discover little by little.
AGNES VARDA

Discover Incredible Interesting Ordinary People Real Stories Themselves Treasure Way
I was free always. I could work without the money, to film this and that. But this is another point, because now I’m alone, and I can just use it when I want.
AGNES VARDA

Always Could Film Free Money Sometimes Thinking Work
You know, an hour and fifty-four minutes is too much for audiences. They get nervous.
AGNES VARDA

Audience Fifty Four Getting Minute Much Nervous
We got along very well without trying to make me look like I’m what I’m not.
AGNES VARDA

Among Like Look Trying Well Without
With Jane Birkin, we had a scene from a film called Jane B. by Agnès V. – a portrait I made in ’87. We had a casino scene, surrealistic, in which we had some naked people gambling. Jane Birkin was the card dealer and I was the player.
AGNES VARDA

Beautiful Casino Dealer Film Gambling Made Naked People Player Portrait Scene Surrealistic
It sounds so lovely in French. So I took that because it was the subject: I and myself and myself and I. Which is, in a way, boring, because it is a contradiction.
AGNES VARDA

Boring Contradiction Country Lovely Myself Sound Subject Took
It’s interesting work for me to tell my life, as a possibility for other people to relate it to themselves – not so much to learn about me.
AGNES VARDA

Interesting Life People Possibility Relate Tell Themselves
I don’t do films pre-prepared by other people, I don’t do star system. So I do my own little thing.
AGNES VARDA

Film Little Other Own People Pre-Prepared Star System Thing

Gleaning is getting things that are abandoned. I did not abandon my early pictures, my photos, my early films. It’s just going through my body of work as something I can pick from.

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Gleaning is getting things that are abandoned. I did not abandon my early pictures, my photos, my early films. It’s just going through my body of work as something I can pick from.

Related Topics

Popular Authors

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