“Sometimes I feel sad, but this is not nostalgia, because I don’t want time to come back.”

The boundaries between contemporary art and cinema are so rigid. It’s unbelievable.

Some Bresson, some Godard of the early times, the Cassavetes of those years I love. And the early Wim Wenders. But my own films I don’t watch, unless I need them.

The mirror is the tool of the one who wants to do a self-portrait. And if you want to make a photo you need a mirror.

I was a photographer first.I worked alone. I did it my way as much as I could. I have been sort of courageous about doing things, because I didn’t think I should do less than my brothers.

I had beautiful jewelery around me, and when I lost I would take the jewelery and say, Service – being very generous, because it was very expensive jewelery. I would say, Tip.

I think it’s ridiculous to take such risk. But look, people love to do that. But I was not afraid of doing things I wished to do.

To change history is very slow. The first two times I came to the States – black people didn’t have the right to vote.

I don’t believe in inspiration that arrives like a bolt from the blue … It seems to me that the more motivated I am by what I film, the more objectively I film.

I’m interested in people who are not exactly the middle way, or who are trying something else because they cannot prevent themselves from being different, or they wish to be different, or they are different because society pushed them away.

We need to find another way or another shape or an allegory or something that tells us more.

She almost doesn’t recognize her children, but she recites Valéry and Baudelaire. So what? We’re the ones who are suffering. She’s not.

I’m still fighting. I don’t know how much longer, but I’m still fighting a struggle, which is to make cinema alive and not just make another film.

I think people should be different. I love people who don’t go by the rule that you have to be careful because you’re old, you have to do this and that, you have to eat this and that.

But in a way we all have a Mona. We all have inside ourselves a woman who walks alone on the road. In all women there is something in revolt that is not expressed.

It’s a way of living, cinema. And I see my family, I do this and that, I travel. It’s a long process to let it happen.

I’m trying to capture something more fragile than a regular story. I love what people bring me.

Every fish fertilizes the water in a way that generates the plankton that ultimately leads back into the food chain, but also yields oxygen, grabs carbon – it’s a part of what makes the ocean function and what makes the planet function.

No matter what is thrown at them, no matter how deep the hole, they find a way to bounce back and overcome adversity.

I have come up at the end of a dive, and the boat was not where I left it. I had to take care of a buddy who did panic. But I was confident the boat would come back.

If somebody dumps something noxious in my back yard, the dumper is the last one I would call on to repair the damage.

If we could magically transport ourselves back to the young Earth, when it was only a billion years old or two billion years old or three billion years old or four billion years old.

We receive grace from the sacrament. And when we fumble due to sin – and it’s gonna happen – confession puts us back on the field.

If all mankind were to disappear, the world would regenerate back to the rich state of equilibrium that existed ten thousand years ago.

I had reached a point in my career in which I was ready to try something new in my writing, and the idea of a novel has always been in the back of my mind.