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It sounds so lovely in French. So I took that because it was the subject: I and myself and myself and I. Which is, in a way, boring, because it is a contradiction.

Agnes Varda

Nostalgia doesn’t make sense, because it’s like bringing the memories back to be a special part of my day or to be part of my week. And I’m inside my memories the same way I’m inside my everyday life.
AGNES VARDA

Bringing Everyday Memories Nostalgia Sense Special
You know, an hour and fifty-four minutes is too much for audiences. They get nervous.
AGNES VARDA

Audience Fifty Four Getting Minute Much Nervous
You can buy a good pasta but when you cook it yourself it has another feeling.
AGNES VARDA

Another Buy Cook Feeling Good Pasta
It’s interesting work for me to tell my life, as a possibility for other people to relate it to themselves – not so much to learn about me.
AGNES VARDA

Interesting Life People Possibility Relate Tell Themselves
She almost doesn’t recognize her children, but she recites Valéry and Baudelaire. So what? We’re the ones who are suffering. She’s not.
AGNES VARDA

Almost Children Recite Recognize Suffering
I’m myself – knowing I’m doing a documentary and speaking with the people, telling them I have a bed, that I can eat every day, but I would like to speak to you. And they really gave me wonderful answers.
AGNES VARDA

Bed Documentary Idea Knowing People Speak Speaking Telling Trying Wonderful
People like my films. They understand me through my films; it’s like a connection that has been established between all my work and myself and the audience and the viewer.
AGNES VARDA

Connection Established Film People Understand
I think people should be different. I love people who don’t go by the rule that you have to be careful because you’re old, you have to do this and that, you have to eat this and that.
AGNES VARDA

Care Careful Different People Think Thinking
When I started my first film, there were three women directors in France. Their films were OK, but I was different. It’s like when you start to jump and you put the pole very high – you have to jump very high. I thought, I have to use cinema as a language.
AGNES VARDA

Cinema Country Different Director Film First High Jump Language Pole Started Three Women
If you know nothing, it could be like an enemy in a way. I think that’s the way I felt when I was young.
AGNES VARDA

Enemy Felt Like Nothing Think Thinking Way Young
I don’t do films pre-prepared by other people, I don’t do star system. So I do my own little thing.
AGNES VARDA

Film Little Other Own People Pre-Prepared Star System Thing
You have to invent life.
AGNES VARDA

Discover Invent Life
Humor is such a strong weapon, such a strong answer.
AGNES VARDA

Answer Humor Strong Such Thinking Weapon
I’ve always been like this – trying to find adventure where it’s still in its first élan – the first spring.
AGNES VARDA

Adventure Always Find First Spring Trying
I think the digital cameras have changed my view. Even though sometimes, including the installations that I show, I mix 35mm filming and video handmade.
AGNES VARDA

Camera Changed Digital Filming Handmade Installation Video View
I don’t believe in inspiration that arrives like a bolt from the blue … It seems to me that the more motivated I am by what I film, the more objectively I film.
AGNES VARDA

Arrive Belief Blue Bolt Inspiration Inspirational

It sounds so lovely in French. So I took that because it was the subject: I and myself and myself and I. Which is, in a way, boring, because it is a contradiction.

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It sounds so lovely in French. So I took that because it was the subject: I and myself and myself and I. Which is, in a way, boring, because it is a contradiction.

Related Topics

Popular Authors

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