I had flops, I had success.
AGNES VARDA- It sounds so lovely in French. So I took that because it was the subject: I and myself and myself and I. Which is, in a way, boring, because it is a contradiction.
AGNES VARDA
- black
- grey
- blue
- red
- brown
- white
It sounds so lovely in French. So I took that because it was the subject: I and myself and myself and I. Which is, in a way, boring, because it is a contradiction.
More Agnes Varda Quotes
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I had flops, I had success.
AGNES VARDA -
If you know nothing, it could be like an enemy in a way. I think that’s the way I felt when I was young.
AGNES VARDAIf you know nothing, it could be like an enemy in a way. I think that’s the way I felt when I was young.
AGNES VARDA -
Nostalgia doesn’t make sense, because it’s like bringing the memories back to be a special part of my day or to be part of my week. And I’m inside my memories the same way I’m inside my everyday life.
AGNES VARDA -
There is a song of Gainsbourg that Jane Birkin sang, and the words are beautiful in French. It says, “Le jeu et les moi.” It’s impossible to translate, because it has a very nice sound.
AGNES VARDAThere is a song of Gainsbourg that Jane Birkin sang, and the words are beautiful in French. It says, “Le jeu et les moi.” It’s impossible to translate, because it has a very nice sound.
AGNES VARDA -
Humor is such a strong weapon, such a strong answer. Women have to make jokes about themselves, laugh about themselves, because they have nothing to lose.
AGNES VARDAHumor is such a strong weapon, such a strong answer. Women have to make jokes about themselves, laugh about themselves, because they have nothing to lose.
AGNES VARDA -
But in a way we all have a Mona. We all have inside ourselves a woman who walks alone on the road. In all women there is something in revolt that is not expressed.
AGNES VARDABut in a way we all have a Mona. We all have inside ourselves a woman who walks alone on the road. In all women there is something in revolt that is not expressed.
AGNES VARDA -
I tried to find images, allegorical images, that I could use to express things that I didn’t want to say or didn’t want to show or I was not able to find how to show.
AGNES VARDAI tried to find images, allegorical images, that I could use to express things that I didn’t want to say or didn’t want to show or I was not able to find how to show.
AGNES VARDA -
An old woman I loved very much when I was young – the wife of Jean Villard – she’s just reciting poetry all the time, which is beautiful because it means she went back to the world of poetry that she loved when she was young. That’s all she does.
AGNES VARDAAn old woman I loved very much when I was young – the wife of Jean Villard – she’s just reciting poetry all the time, which is beautiful because it means she went back to the world of poetry that she loved when she was young. That’s all she does.
AGNES VARDA -
The boundaries between contemporary art and cinema are so rigid. It’s unbelievable.
AGNES VARDAThe boundaries between contemporary art and cinema are so rigid. It’s unbelievable.
AGNES VARDA -
You have to be strong to be a carpenter, maybe, but the director of a film doesn’t need to have muscles.
AGNES VARDAYou have to be strong to be a carpenter, maybe, but the director of a film doesn’t need to have muscles.
AGNES VARDA -
I was free always. I could work without the money, to film this and that. But this is another point, because now I’m alone, and I can just use it when I want.
AGNES VARDAI was free always. I could work without the money, to film this and that. But this is another point, because now I’m alone, and I can just use it when I want.
AGNES VARDA -
I have to do something which relates with my time, and in my time, we make things differently.
AGNES VARDAI have to do something which relates with my time, and in my time, we make things differently.
AGNES VARDA -
I need images, I need representation which deals in other means than reality. We have to use reality but get out of it. That’s what I try to do all the time.
AGNES VARDAI need images, I need representation which deals in other means than reality. We have to use reality but get out of it. That’s what I try to do all the time.
AGNES VARDA -
She almost doesn’t recognize her children, but she recites Valéry and Baudelaire. So what? We’re the ones who are suffering. She’s not.
AGNES VARDAShe almost doesn’t recognize her children, but she recites Valéry and Baudelaire. So what? We’re the ones who are suffering. She’s not.
AGNES VARDA -
It’s a way of living, sharing things with people who work with me, and they seem to enjoy it.
AGNES VARDAIt’s a way of living, sharing things with people who work with me, and they seem to enjoy it.
AGNES VARDA -
When I did the first edit of Les plages, it was very dry and very square in a way. I was just saying the minimum. I said, Well, if this is the minimum, I don’t make it. So I tried to make it more refined.
AGNES VARDA


