Some Bresson, some Godard of the early times, the Cassavetes of those years I love. And the early Wim Wenders. But my own films I don’t watch, unless I need them.
AGNES VARDAShe almost doesn’t recognize her children, but she recites Valéry and Baudelaire. So what? We’re the ones who are suffering. She’s not.
More Agnes Varda Quotes
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If we opened people up, we’d find landscapes.
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I tried to find a language for the film – not just telling stories. I picked the Picasso painting because it said more than I could explain.
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Many filmmakers have made resurgent work, and I was just a little ahead of the time.
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I’d been educated stupidly, I knew nothing about nothing, that’s part of being shy.
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I think it’s ridiculous to take such risk. But look, people love to do that. But I was not afraid of doing things I wished to do.
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I had beautiful jewelery around me, and when I lost I would take the jewelery and say, Service – being very generous, because it was very expensive jewelery. I would say, Tip.
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To change history is very slow. The first two times I came to the States – black people didn’t have the right to vote.
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I think people should be different. I love people who don’t go by the rule that you have to be careful because you’re old, you have to do this and that, you have to eat this and that.
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We need to find another way or another shape or an allegory or something that tells us more.
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People think you are an orphan when you are a child, and don’t believe that old people can feel that they are orphans.
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When I started I did not know I wanted to be a filmmaker. I started – I made a film. Then when I finished I said, Oh my god it’s so beautiful – I should be a filmmaker!
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I was a photographer first.I worked alone. I did it my way as much as I could. I have been sort of courageous about doing things, because I didn’t think I should do less than my brothers.
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I’ve always been like this – trying to find adventure where it’s still in its first élan – the first spring.
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I see all these students, and I admire them – they’re trying to learn something, they go to school, they do film school, they go on shoots, they help.
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I’m missing some people, you know, and this is not nostalgia. I miss them. This is melancholy.
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I’m myself – knowing I’m doing a documentary and speaking with the people, telling them I have a bed, that I can eat every day, but I would like to speak to you. And they really gave me wonderful answers.
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I’m not interested in seeing a film just made by a woman – not unless she is looking for new images.
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I have to do something which relates with my time, and in my time, we make things differently.
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I didn’t have a list of things I should do this year, next year, find a good novel, sign two stars and make a deal – because I think cinema should come from cinema.
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I don’t try to make a place in history at all! People put me in the history of cinema because my first film, La pointe-courte, was so ahead of some other filmmakers.
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The story of a couple is always very fragile, especially over more than thirty years.
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Humor is such a strong weapon, such a strong answer. Women have to make jokes about themselves, laugh about themselves, because they have nothing to lose.
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I didn’t go to film school. I was never an assistant or trainee on a film. I had not seen all those cameras. So I think it gave me a lot of freedom.
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Society is so slow. A feminist is a bore.
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Gleaning is getting things that are abandoned. I did not abandon my early pictures, my photos, my early films. It’s just going through my body of work as something I can pick from.
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My grandson says I’m punk.
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