“I tried to find images, allegorical images, that I could use to express things that I didn’t want to say or didn’t want to show or I was not able to find how to show.”

If you know nothing, it could be like an enemy in a way. I think that’s the way I felt when I was young.

The tool of every self-portrait is the mirror. You see yourself in it. Turn it the other way, and you see the world .

I was free always. I could work without the money, to film this and that. But this is another point, because now I’m alone, and I can just use it when I want.

I never adapted anything. Beautiful books are beautiful books, that’s it. I don’t know why we should transform them.

Gleaning is getting things that are abandoned. I did not abandon my early pictures, my photos, my early films. It’s just going through my body of work as something I can pick from.

I didn’t have a list of things I should do this year, next year, find a good novel, sign two stars and make a deal – because I think cinema should come from cinema.

I try to do nothing. I drink rosemary when I have a lot of work to do. People take coffee, they take speed, whatever. I take rosemary.

I’m myself – knowing I’m doing a documentary and speaking with the people, telling them I have a bed, that I can eat every day, but I would like to speak to you. And they really gave me wonderful answers.

An old woman I loved very much when I was young – the wife of Jean Villard – she’s just reciting poetry all the time, which is beautiful because it means she went back to the world of poetry that she loved when she was young. That’s all she does.

There is a song of Gainsbourg that Jane Birkin sang, and the words are beautiful in French. It says, “Le jeu et les moi.” It’s impossible to translate, because it has a very nice sound.

I don’t do films pre-prepared by other people, I don’t do star system. So I do my own little thing.

I have to do something which relates with my time, and in my time, we make things differently.

I hated myself totally white. So now I cheat. It’s my white hair, and I put color there.

When I saw what painting had done in the last thirty years, what literature had done – people like Joyce and Virginia Woolf, Faulkner and Hemingway – in France we have Nathalie Sarraute – and paintings became so strongly contemporary while cinema was just following the path of theater.

Good cinema is good cinema. It makes you feel like you need to work.

This is all you need in life: a computer, a camera, and a cat.

You can teach taste, editorial sense, but the ability to say something funny is something I’ve never been able to teach anyone.

So being able to be that person and then when you leave you’re yourself again

I knew that even if I was able to call for help, I was in a place so remote that it wasn’t likely there would be anyone who could help me. And even if there were, it could take weeks.

We’re never going to be able to get rid of terrorism, because there is always going to be evil in the world.

I think that in life, being is nothing but an illusion. If we acknowledge that and accept the fact that we are in between states, that we are moving, and this movement is the nature of our lives

If I get an idea for a series that I really like, I’m sure I won’t be able to resist coming back and doing it.

I have a lot of respect for people who are great at ad-libbing, and for writers and directors who are able to create a scene in which that works.

Love shouldn’t be about jealousy or anything like that. It should be about commitment and being able to trust that person. If you can’t have that from the get-go, there’s a problem.