I see all these students, and I admire them – they’re trying to learn something, they go to school, they do film school, they go on shoots, they help.
AGNES VARDAI wanted to catch the problem of consumption, waste, poor people eating what we throw away, which is a big subject. But I didn’t want to become a sociologue, an ethnographe, a serious thinker. I thought I should be free, even in a documentary which has a very serious subject.
More Agnes Varda Quotes
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Society is so slow. A feminist is a bore.
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When I saw what painting had done in the last thirty years, what literature had done – people like Joyce and Virginia Woolf, Faulkner and Hemingway – in France we have Nathalie Sarraute – and paintings became so strongly contemporary while cinema was just following the path of theater.
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I think I got people confidence because I was not looking at them like insects that I would film.
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I was a photographer first.I worked alone. I did it my way as much as I could. I have been sort of courageous about doing things, because I didn’t think I should do less than my brothers.
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Humor is such a strong weapon, such a strong answer.
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I was free always. I could work without the money, to film this and that. But this is another point, because now I’m alone, and I can just use it when I want.
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I’m sure they learn a lot, and some of them, it makes them aware of what they wish to do. I was – that’s the way I was – autodidact.
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It’s a way of living, cinema. And I see my family, I do this and that, I travel. It’s a long process to let it happen.
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If you know nothing, it could be like an enemy in a way. I think that’s the way I felt when I was young.
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I call [ordinary people] real people, because they have in themselves an incredible treasure – stories, a way of speaking, a way of sharing, an innocence and a perversity which I find very interesting to discover little by little.
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You can buy a good pasta but when you cook it yourself it has another feeling.
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I think the digital cameras have changed my view. Even though sometimes, including the installations that I show, I mix 35mm filming and video handmade.
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I hated myself totally white. So now I cheat. It’s my white hair, and I put color there.
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Even Vagabond – it was a fiction but it was really a documentary. I mean, it has the texture of documentary. Even if I made up every line, it has the texture of being true.
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I think people should be different. I love people who don’t go by the rule that you have to be careful because you’re old, you have to do this and that, you have to eat this and that.
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I’ve always been like this – trying to find adventure where it’s still in its first élan – the first spring.
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You know, an hour and fifty-four minutes is too much for audiences. They get nervous.
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I didn’t have a list of things I should do this year, next year, find a good novel, sign two stars and make a deal – because I think cinema should come from cinema.
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I had flops, I had success.
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I never adapted anything. Beautiful books are beautiful books, that’s it. I don’t know why we should transform them.
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I go back to many films that I really love.
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You are always in the world. Even in Vagabond. I am not on the road, I am not eating nothing.
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In my films I always wanted to make people see deeply. I don’t want to show things, but to give people the desire to see.
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I tried to find images, allegorical images, that I could use to express things that I didn’t want to say or didn’t want to show or I was not able to find how to show.
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I don’t believe in inspiration that arrives like a bolt from the blue … It seems to me that the more motivated I am by what I film, the more objectively I film.
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Just yesterday I saw a good film, but even if I’d seen a bad one, I’d feel, “Oh my god, what a bad job, I can do better.”
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