You can buy a good pasta but when you cook it yourself it has another feeling.
AGNES VARDAI had a world. I don’t think I had a career. I made films.
More Agnes Varda Quotes
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You have to invent life.
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There is a song of Gainsbourg that Jane Birkin sang, and the words are beautiful in French. It says, “Le jeu et les moi.” It’s impossible to translate, because it has a very nice sound.
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I did not think that woman would be restrained. I never saw that, especially not in filmmaking, where you don’t have to be strong.
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I’m missing some people, you know, and this is not nostalgia. I miss them. This is melancholy.
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This is all you need in life: a computer, a camera, and a cat.
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I don’t do films pre-prepared by other people, I don’t do star system. So I do my own little thing.
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I didn’t see films when I was young. I was stupid and naïve. Maybe I wouldn’t have made films if I had seen lots of others; maybe it would have stopped me.
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Many filmmakers have made resurgent work, and I was just a little ahead of the time.
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But in a way we all have a Mona. We all have inside ourselves a woman who walks alone on the road. In all women there is something in revolt that is not expressed.
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I had beautiful jewelery around me, and when I lost I would take the jewelery and say, Service – being very generous, because it was very expensive jewelery. I would say, Tip.
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You are always in the world. Even in Vagabond. I am not on the road, I am not eating nothing.
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Hands are the tool of the painter, the artist.
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I’m still fighting. I don’t know how much longer, but I’m still fighting a struggle, which is to make cinema alive and not just make another film.
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You have to be strong to be a carpenter, maybe, but the director of a film doesn’t need to have muscles.
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I was a photographer first.I worked alone. I did it my way as much as I could. I have been sort of courageous about doing things, because I didn’t think I should do less than my brothers.
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Nostalgia doesn’t make sense, because it’s like bringing the memories back to be a special part of my day or to be part of my week. And I’m inside my memories the same way I’m inside my everyday life.
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Gleaning is getting things that are abandoned. I did not abandon my early pictures, my photos, my early films. It’s just going through my body of work as something I can pick from.
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When I saw what painting had done in the last thirty years, what literature had done – people like Joyce and Virginia Woolf, Faulkner and Hemingway – in France we have Nathalie Sarraute – and paintings became so strongly contemporary while cinema was just following the path of theater.
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My grandson says I’m punk.
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I call [ordinary people] real people, because they have in themselves an incredible treasure – stories, a way of speaking, a way of sharing, an innocence and a perversity which I find very interesting to discover little by little.
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I’m sure they learn a lot, and some of them, it makes them aware of what they wish to do. I was – that’s the way I was – autodidact.
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I don’t watch my own films. There is little time; I’d rather see another film.
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I should say nothing! I’m through with it! I hate to repeat myself all the time.
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I never fought, I never learned kung fu or boxing, I never went into these sportif competitions. I wouldn’t cross the ocean.
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I hated myself totally white. So now I cheat. It’s my white hair, and I put color there.
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The film critics don’t know my artwork and the art world doesn’t know my films.
AGNES VARDA