“I had a world. I don’t think I had a career. I made films.”

If we opened people up, we’d find landscapes.

I don’t try to make a place in history at all! People put me in the history of cinema because my first film, La pointe-courte, was so ahead of some other filmmakers.

I go back to many films that I really love.

Hands are the tool of the painter, the artist.

I never fought, I never learned kung fu or boxing, I never went into these sportif competitions. I wouldn’t cross the ocean.

I did not think that woman would be restrained. I never saw that, especially not in filmmaking, where you don’t have to be strong.

I was nineteen and I put a bowl on and I said, Cut around! Because it was not the fashion at the time when I did that hairdo – and I kept it all my life!

I call [ordinary people] real people, because they have in themselves an incredible treasure – stories, a way of speaking, a way of sharing, an innocence and a perversity which I find very interesting to discover little by little.

I think I got people confidence because I was not looking at them like insects that I would film.

People like my films. They understand me through my films; it’s like a connection that has been established between all my work and myself and the audience and the viewer.

I don’t watch my own films. There is little time; I’d rather see another film.

Society is so slow. A feminist is a bore.

I live in cinema. I feel I’ve lived here forever.

I wanted to catch the problem of consumption, waste, poor people eating what we throw away, which is a big subject. But I didn’t want to become a sociologue, an ethnographe, a serious thinker. I thought I should be free, even in a documentary which has a very serious subject.

I see all these students, and I admire them – they’re trying to learn something, they go to school, they do film school, they go on shoots, they help.

I didn’t go to film school. I was never an assistant or trainee on a film. I had not seen all those cameras. So I think it gave me a lot of freedom.

Ethnically, the Germans are Teutonic… being made up of Vandals, Gepidae, and Goths, all of whom emigrated – south from Sweden in about 500 BC.

The number of mistakes I have made are just awesome. There is no number large enough to account for that.

A composite too are the neighbours, Pauline and Rufus, though I have made Rufus a publisher in remembrance of my neighbour, the late Colin Haycraft, the proprietor of Duckworth’s.

If I’ve made myself clear, I’ve misspoken.

If I say something which you understand fully in this regard, I probably made a mistake.

What is considered sane in writers is made for the rest of the human race.

But we’ve got all the language wrong and made this divide between secularism and spirituality, whereas instead it’s about being human.

The abandonment of the gold standard made it possible for the welfare statists to use the banking system as a means to an unlimited expansion of credit.