When I started I did not know I wanted to be a filmmaker. I started – I made a film. Then when I finished I said, Oh my god it’s so beautiful – I should be a filmmaker!
AGNES VARDAIn my films I always wanted to make people see deeply. I don’t want to show things, but to give people the desire to see.
More Agnes Varda Quotes
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I was free always. I could work without the money, to film this and that. But this is another point, because now I’m alone, and I can just use it when I want.
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The tool of every self-portrait is the mirror. You see yourself in it. Turn it the other way, and you see the world .
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I had flops, I had success.
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You are always in the world. Even in Vagabond. I am not on the road, I am not eating nothing.
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My company is called Ciné-Tamaris, which is rosemary. That’s my speed. Hot water and herb.
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If you know nothing, it could be like an enemy in a way. I think that’s the way I felt when I was young.
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I’m interested in people who are not exactly the middle way, or who are trying something else because they cannot prevent themselves from being different, or they wish to be different, or they are different because society pushed them away.
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Sometimes I feel sad, but this is not nostalgia, because I don’t want time to come back.
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You can buy a good pasta but when you cook it yourself it has another feeling.
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To change history is very slow. The first two times I came to the States – black people didn’t have the right to vote.
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The story of a couple is always very fragile, especially over more than thirty years.
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I wanted to speak strongly about feminism in my life, since it’s been a struggle.
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When I did the first edit of Les plages, it was very dry and very square in a way. I was just saying the minimum. I said, Well, if this is the minimum, I don’t make it. So I tried to make it more refined.
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This is all you need in life: a computer, a camera, and a cat.
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The film critics don’t know my artwork and the art world doesn’t know my films.
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I’m not interested in seeing a film just made by a woman – not unless she is looking for new images.
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Sometimes I say, If I had seen some masterpieces, maybe I wouldn’t have dared start. I started very – not innocent, but naïve in a way.
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Even Vagabond – it was a fiction but it was really a documentary. I mean, it has the texture of documentary. Even if I made up every line, it has the texture of being true.
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It’s a way of living, cinema. And I see my family, I do this and that, I travel. It’s a long process to let it happen.
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I’m sure they learn a lot, and some of them, it makes them aware of what they wish to do. I was – that’s the way I was – autodidact.
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I was a photographer first.I worked alone. I did it my way as much as I could. I have been sort of courageous about doing things, because I didn’t think I should do less than my brothers.
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I see all these students, and I admire them – they’re trying to learn something, they go to school, they do film school, they go on shoots, they help.
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I tried to find images, allegorical images, that I could use to express things that I didn’t want to say or didn’t want to show or I was not able to find how to show.
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I think I got people confidence because I was not looking at them like insects that I would film.
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We need to find another way or another shape or an allegory or something that tells us more.
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With Jane Birkin, we had a scene from a film called Jane B. by Agnès V. – a portrait I made in ’87. We had a casino scene, surrealistic, in which we had some naked people gambling. Jane Birkin was the card dealer and I was the player.
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