Just yesterday I saw a good film, but even if I’d seen a bad one, I’d feel, “Oh my god, what a bad job, I can do better.”
AGNES VARDAI was free always. I could work without the money, to film this and that. But this is another point, because now I’m alone, and I can just use it when I want.
More Agnes Varda Quotes
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I see all these students, and I admire them – they’re trying to learn something, they go to school, they do film school, they go on shoots, they help.
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I was free always. I could work without the money, to film this and that. But this is another point, because now I’m alone, and I can just use it when I want.
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I think we need to have a nest of something which is family.
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I’m missing some people, you know, and this is not nostalgia. I miss them. This is melancholy.
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The story of a couple is always very fragile, especially over more than thirty years.
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There is a song of Gainsbourg that Jane Birkin sang, and the words are beautiful in French. It says, “Le jeu et les moi.” It’s impossible to translate, because it has a very nice sound.
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This is all you need in life: a computer, a camera, and a cat.
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I hated myself totally white. So now I cheat. It’s my white hair, and I put color there.
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I try to do nothing. I drink rosemary when I have a lot of work to do. People take coffee, they take speed, whatever. I take rosemary.
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I should say nothing! I’m through with it! I hate to repeat myself all the time.
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Even Vagabond – it was a fiction but it was really a documentary. I mean, it has the texture of documentary. Even if I made up every line, it has the texture of being true.
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I don’t do films pre-prepared by other people, I don’t do star system. So I do my own little thing.
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Good cinema is good cinema. It makes you feel like you need to work.
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I don’t believe in inspiration that arrives like a bolt from the blue … It seems to me that the more motivated I am by what I film, the more objectively I film.
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In my films I always wanted to make people see deeply. I don’t want to show things, but to give people the desire to see.
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The film critics don’t know my artwork and the art world doesn’t know my films.
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I don’t watch my own films. There is little time; I’d rather see another film.
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I don’t try to make a place in history at all! People put me in the history of cinema because my first film, La pointe-courte, was so ahead of some other filmmakers.
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To share a lot of ideas – not ideas – emotions, a way of looking at people, a way of looking at life. If it can be shared, it means there is a common denominator.
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I’m still fighting. I don’t know how much longer, but I’m still fighting a struggle, which is to make cinema alive and not just make another film.
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We need to find another way or another shape or an allegory or something that tells us more.
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People know it’s not easy, and even though you have strong feeling and desire and endless love, it doesn’t always happen.
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I’ve always been like this – trying to find adventure where it’s still in its first élan – the first spring.
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People like my films. They understand me through my films; it’s like a connection that has been established between all my work and myself and the audience and the viewer.
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I’m sure they learn a lot, and some of them, it makes them aware of what they wish to do. I was – that’s the way I was – autodidact.
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Gleaning is getting things that are abandoned. I did not abandon my early pictures, my photos, my early films. It’s just going through my body of work as something I can pick from.
AGNES VARDA