I’m not nostalgic. My memories are back here in my mind.
AGNES VARDA- I should say nothing! I’m through with it! I hate to repeat myself all the time.
AGNES VARDA
- black
- grey
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- white
I should say nothing! I’m through with it! I hate to repeat myself all the time.
More Agnes Varda Quotes
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I’m not nostalgic. My memories are back here in my mind.
AGNES VARDA -
I try to do nothing. I drink rosemary when I have a lot of work to do. People take coffee, they take speed, whatever. I take rosemary.
AGNES VARDAI try to do nothing. I drink rosemary when I have a lot of work to do. People take coffee, they take speed, whatever. I take rosemary.
AGNES VARDA -
I call [ordinary people] real people, because they have in themselves an incredible treasure – stories, a way of speaking, a way of sharing, an innocence and a perversity which I find very interesting to discover little by little.
AGNES VARDAI call [ordinary people] real people, because they have in themselves an incredible treasure – stories, a way of speaking, a way of sharing, an innocence and a perversity which I find very interesting to discover little by little.
AGNES VARDA -
If you know nothing, it could be like an enemy in a way. I think that’s the way I felt when I was young.
AGNES VARDAIf you know nothing, it could be like an enemy in a way. I think that’s the way I felt when I was young.
AGNES VARDA -
I tried to find a language for the film – not just telling stories. I picked the Picasso painting because it said more than I could explain.
AGNES VARDA -
I was a photographer first.I worked alone. I did it my way as much as I could. I have been sort of courageous about doing things, because I didn’t think I should do less than my brothers.
AGNES VARDAI was a photographer first.I worked alone. I did it my way as much as I could. I have been sort of courageous about doing things, because I didn’t think I should do less than my brothers.
AGNES VARDA -
You can buy a good pasta but when you cook it yourself it has another feeling.
AGNES VARDAYou can buy a good pasta but when you cook it yourself it has another feeling.
AGNES VARDA -
To change history is very slow. The first two times I came to the States – black people didn’t have the right to vote.
AGNES VARDATo change history is very slow. The first two times I came to the States – black people didn’t have the right to vote.
AGNES VARDA -
People think you are an orphan when you are a child, and don’t believe that old people can feel that they are orphans.
AGNES VARDA -
You know, an hour and fifty-four minutes is too much for audiences. They get nervous.
AGNES VARDAYou know, an hour and fifty-four minutes is too much for audiences. They get nervous.
AGNES VARDA -
I’m missing some people, you know, and this is not nostalgia. I miss them. This is melancholy.
AGNES VARDAI’m missing some people, you know, and this is not nostalgia. I miss them. This is melancholy.
AGNES VARDA -
When I started I did not know I wanted to be a filmmaker. I started – I made a film. Then when I finished I said, Oh my god it’s so beautiful – I should be a filmmaker!
AGNES VARDAWhen I started I did not know I wanted to be a filmmaker. I started – I made a film. Then when I finished I said, Oh my god it’s so beautiful – I should be a filmmaker!
AGNES VARDA -
Sometimes I feel sad, but this is not nostalgia, because I don’t want time to come back.
AGNES VARDASometimes I feel sad, but this is not nostalgia, because I don’t want time to come back.
AGNES VARDA -
I wanted to catch the problem of consumption, waste, poor people eating what we throw away, which is a big subject. But I didn’t want to become a sociologue, an ethnographe, a serious thinker. I thought I should be free, even in a documentary which has a very serious subject.
AGNES VARDAI wanted to catch the problem of consumption, waste, poor people eating what we throw away, which is a big subject. But I didn’t want to become a sociologue, an ethnographe, a serious thinker. I thought I should be free, even in a documentary which has a very serious subject.
AGNES VARDA -
I’ve always been like this – trying to find adventure where it’s still in its first élan – the first spring.
AGNES VARDAI’ve always been like this – trying to find adventure where it’s still in its first élan – the first spring.
AGNES VARDA -
Society is so slow. A feminist is a bore.
AGNES VARDASociety is so slow. A feminist is a bore.
AGNES VARDA


