I tried to find images, allegorical images, that I could use to express things that I didn’t want to say or didn’t want to show or I was not able to find how to show.
AGNES VARDAWhen I saw what painting had done in the last thirty years, what literature had done – people like Joyce and Virginia Woolf, Faulkner and Hemingway – in France we have Nathalie Sarraute – and paintings became so strongly contemporary while cinema was just following the path of theater.
More Agnes Varda Quotes
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I had flops, I had success.
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I’ve always been like this – trying to find adventure where it’s still in its first élan – the first spring.
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Humor is such a strong weapon, such a strong answer.
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I’m trying to capture something more fragile than a regular story. I love what people bring me.
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When I started I did not know I wanted to be a filmmaker. I started – I made a film. Then when I finished I said, Oh my god it’s so beautiful – I should be a filmmaker!
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I’m still fighting. I don’t know how much longer, but I’m still fighting a struggle, which is to make cinema alive and not just make another film.
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Sometimes I feel sad, but this is not nostalgia, because I don’t want time to come back.
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I call [ordinary people] real people, because they have in themselves an incredible treasure – stories, a way of speaking, a way of sharing, an innocence and a perversity which I find very interesting to discover little by little.
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You are always in the world. Even in Vagabond. I am not on the road, I am not eating nothing.
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We need to find another way or another shape or an allegory or something that tells us more.
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People like my films. They understand me through my films; it’s like a connection that has been established between all my work and myself and the audience and the viewer.
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I’d been educated stupidly, I knew nothing about nothing, that’s part of being shy.
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I had beautiful jewelery around me, and when I lost I would take the jewelery and say, Service – being very generous, because it was very expensive jewelery. I would say, Tip.
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With Jane Birkin, we had a scene from a film called Jane B. by Agnès V. – a portrait I made in ’87. We had a casino scene, surrealistic, in which we had some naked people gambling. Jane Birkin was the card dealer and I was the player.
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I think the digital cameras have changed my view. Even though sometimes, including the installations that I show, I mix 35mm filming and video handmade.
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The boundaries between contemporary art and cinema are so rigid. It’s unbelievable.
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The film critics don’t know my artwork and the art world doesn’t know my films.
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In my films I always wanted to make people see deeply. I don’t want to show things, but to give people the desire to see.
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You have to be strong to be a carpenter, maybe, but the director of a film doesn’t need to have muscles.
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I need images, I need representation which deals in other means than reality. We have to use reality but get out of it. That’s what I try to do all the time.
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Just yesterday I saw a good film, but even if I’d seen a bad one, I’d feel, “Oh my god, what a bad job, I can do better.”
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I don’t watch my own films. There is little time; I’d rather see another film.
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I go back to many films that I really love.
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I hated myself totally white. So now I cheat. It’s my white hair, and I put color there.
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I never fought, I never learned kung fu or boxing, I never went into these sportif competitions. I wouldn’t cross the ocean.
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I have to do something which relates with my time, and in my time, we make things differently.
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