I’ve always been like this – trying to find adventure where it’s still in its first élan – the first spring.
AGNES VARDAI tried to find a language for the film – not just telling stories. I picked the Picasso painting because it said more than I could explain.
More Agnes Varda Quotes
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To change history is very slow. The first two times I came to the States – black people didn’t have the right to vote.
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It’s interesting work for me to tell my life, as a possibility for other people to relate it to themselves – not so much to learn about me.
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I call [ordinary people] real people, because they have in themselves an incredible treasure – stories, a way of speaking, a way of sharing, an innocence and a perversity which I find very interesting to discover little by little.
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Sometimes I feel sad, but this is not nostalgia, because I don’t want time to come back.
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I was nineteen and I put a bowl on and I said, Cut around! Because it was not the fashion at the time when I did that hairdo – and I kept it all my life!
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You know, an hour and fifty-four minutes is too much for audiences. They get nervous.
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I wanted to speak strongly about feminism in my life, since it’s been a struggle.
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People know it’s not easy, and even though you have strong feeling and desire and endless love, it doesn’t always happen.
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I don’t believe in inspiration that arrives like a bolt from the blue … It seems to me that the more motivated I am by what I film, the more objectively I film.
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It’s nice to think that we have in ourselves the energy. It’s somewhere, but it’s sleeping sometimes. I try to wake it up when I need it.
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An old woman I loved very much when I was young – the wife of Jean Villard – she’s just reciting poetry all the time, which is beautiful because it means she went back to the world of poetry that she loved when she was young. That’s all she does.
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I had a world. I don’t think I had a career. I made films.
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I never fought, I never learned kung fu or boxing, I never went into these sportif competitions. I wouldn’t cross the ocean.
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I’m interested in people who are not exactly the middle way, or who are trying something else because they cannot prevent themselves from being different, or they wish to be different, or they are different because society pushed them away.
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I hated myself totally white. So now I cheat. It’s my white hair, and I put color there.
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If we opened people up, we’d find landscapes.
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The film critics don’t know my artwork and the art world doesn’t know my films.
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Gleaning is getting things that are abandoned. I did not abandon my early pictures, my photos, my early films. It’s just going through my body of work as something I can pick from.
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You can buy a good pasta but when you cook it yourself it has another feeling.
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I tried to find a language for the film – not just telling stories. I picked the Picasso painting because it said more than I could explain.
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We need to find another way or another shape or an allegory or something that tells us more.
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It sounds so lovely in French. So I took that because it was the subject: I and myself and myself and I. Which is, in a way, boring, because it is a contradiction.
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Society is so slow. A feminist is a bore.
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We got along very well without trying to make me look like I’m what I’m not.
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I had beautiful jewelery around me, and when I lost I would take the jewelery and say, Service – being very generous, because it was very expensive jewelery. I would say, Tip.
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Many filmmakers have made resurgent work, and I was just a little ahead of the time.
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