I had a world. I don’t think I had a career. I made films.
AGNES VARDAPeople think you are an orphan when you are a child, and don’t believe that old people can feel that they are orphans.
More Agnes Varda Quotes
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Sometimes I say, If I had seen some masterpieces, maybe I wouldn’t have dared start. I started very – not innocent, but naïve in a way.
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Many filmmakers have made resurgent work, and I was just a little ahead of the time.
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Even Vagabond – it was a fiction but it was really a documentary. I mean, it has the texture of documentary. Even if I made up every line, it has the texture of being true.
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I wanted to catch the problem of consumption, waste, poor people eating what we throw away, which is a big subject. But I didn’t want to become a sociologue, an ethnographe, a serious thinker. I thought I should be free, even in a documentary which has a very serious subject.
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I’m sure they learn a lot, and some of them, it makes them aware of what they wish to do. I was – that’s the way I was – autodidact.
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I don’t believe in inspiration that arrives like a bolt from the blue … It seems to me that the more motivated I am by what I film, the more objectively I film.
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I hated myself totally white. So now I cheat. It’s my white hair, and I put color there.
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I should say nothing! I’m through with it! I hate to repeat myself all the time.
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I’m not interested in seeing a film just made by a woman – not unless she is looking for new images.
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You can buy a good pasta but when you cook it yourself it has another feeling.
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I think people should be different. I love people who don’t go by the rule that you have to be careful because you’re old, you have to do this and that, you have to eat this and that.
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I did not think that woman would be restrained. I never saw that, especially not in filmmaking, where you don’t have to be strong.
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I quit seeing some people who were saying bad things about women; I don’t even want to meet them or see them.
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There is a song of Gainsbourg that Jane Birkin sang, and the words are beautiful in French. It says, “Le jeu et les moi.” It’s impossible to translate, because it has a very nice sound.
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If we opened people up, we’d find landscapes.
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You have to be strong to be a carpenter, maybe, but the director of a film doesn’t need to have muscles.
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If you know nothing, it could be like an enemy in a way. I think that’s the way I felt when I was young.
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Nostalgia doesn’t make sense, because it’s like bringing the memories back to be a special part of my day or to be part of my week. And I’m inside my memories the same way I’m inside my everyday life.
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I live in cinema. I feel I’ve lived here forever.
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When I saw what painting had done in the last thirty years, what literature had done – people like Joyce and Virginia Woolf, Faulkner and Hemingway – in France we have Nathalie Sarraute – and paintings became so strongly contemporary while cinema was just following the path of theater.
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To share a lot of ideas – not ideas – emotions, a way of looking at people, a way of looking at life. If it can be shared, it means there is a common denominator.
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I never adapted anything. Beautiful books are beautiful books, that’s it. I don’t know why we should transform them.
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I tried to find a language for the film – not just telling stories. I picked the Picasso painting because it said more than I could explain.
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It’s a way of living, sharing things with people who work with me, and they seem to enjoy it.
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I’d been educated stupidly, I knew nothing about nothing, that’s part of being shy.
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It’s nice to think that we have in ourselves the energy. It’s somewhere, but it’s sleeping sometimes. I try to wake it up when I need it.
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