Humor is such a strong weapon, such a strong answer. Women have to make jokes about themselves, laugh about themselves, because they have nothing to lose.
AGNES VARDAThis is all you need in life: a computer, a camera, and a cat.
More Agnes Varda Quotes
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This is all you need in life: a computer, a camera, and a cat.
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I’m still fighting. I don’t know how much longer, but I’m still fighting a struggle, which is to make cinema alive and not just make another film.
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My grandson says I’m punk.
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When I started I did not know I wanted to be a filmmaker. I started – I made a film. Then when I finished I said, Oh my god it’s so beautiful – I should be a filmmaker!
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Good cinema is good cinema. It makes you feel like you need to work.
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I’d been educated stupidly, I knew nothing about nothing, that’s part of being shy.
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My company is called Ciné-Tamaris, which is rosemary. That’s my speed. Hot water and herb.
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I had beautiful jewelery around me, and when I lost I would take the jewelery and say, Service – being very generous, because it was very expensive jewelery. I would say, Tip.
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The tool of every self-portrait is the mirror. You see yourself in it. Turn it the other way, and you see the world .
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I hated myself totally white. So now I cheat. It’s my white hair, and I put color there.
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Sometimes I say, If I had seen some masterpieces, maybe I wouldn’t have dared start. I started very – not innocent, but naïve in a way.
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I think the digital cameras have changed my view. Even though sometimes, including the installations that I show, I mix 35mm filming and video handmade.
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The film critics don’t know my artwork and the art world doesn’t know my films.
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I don’t believe in inspiration that arrives like a bolt from the blue … It seems to me that the more motivated I am by what I film, the more objectively I film.
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It’s nice to think that we have in ourselves the energy. It’s somewhere, but it’s sleeping sometimes. I try to wake it up when I need it.
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There is a song of Gainsbourg that Jane Birkin sang, and the words are beautiful in French. It says, “Le jeu et les moi.” It’s impossible to translate, because it has a very nice sound.
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I was free always. I could work without the money, to film this and that. But this is another point, because now I’m alone, and I can just use it when I want.
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With Jane Birkin, we had a scene from a film called Jane B. by Agnès V. – a portrait I made in ’87. We had a casino scene, surrealistic, in which we had some naked people gambling. Jane Birkin was the card dealer and I was the player.
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It’s a way of living, sharing things with people who work with me, and they seem to enjoy it.
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Nostalgia doesn’t make sense, because it’s like bringing the memories back to be a special part of my day or to be part of my week. And I’m inside my memories the same way I’m inside my everyday life.
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I had flops, I had success.
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People know it’s not easy, and even though you have strong feeling and desire and endless love, it doesn’t always happen.
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I had a world. I don’t think I had a career. I made films.
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In my films I always wanted to make people see deeply. I don’t want to show things, but to give people the desire to see.
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When I saw what painting had done in the last thirty years, what literature had done – people like Joyce and Virginia Woolf, Faulkner and Hemingway – in France we have Nathalie Sarraute – and paintings became so strongly contemporary while cinema was just following the path of theater.
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I don’t do films pre-prepared by other people, I don’t do star system. So I do my own little thing.
AGNES VARDA