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I’m trying to capture something more fragile than a regular story. I love what people bring me.

Agnes Varda

You have to be strong to be a carpenter, maybe, but the director of a film doesn’t need to have muscles.
AGNES VARDA

Carpenter Direct Director Film Muscle Need Strong
With Jane Birkin, we had a scene from a film called Jane B. by Agnès V. – a portrait I made in ’87. We had a casino scene, surrealistic, in which we had some naked people gambling. Jane Birkin was the card dealer and I was the player.
AGNES VARDA

Beautiful Casino Dealer Film Gambling Made Naked People Player Portrait Scene Surrealistic
But in a way we all have a Mona. We all have inside ourselves a woman who walks alone on the road. In all women there is something in revolt that is not expressed.
AGNES VARDA

Alone Inside Ourselves Revolt Road Something Way Women
The film critics don’t know my artwork and the art world doesn’t know my films.
AGNES VARDA

Art Artwork Critic Film Know Time
To change history is very slow. The first two times I came to the States – black people didn’t have the right to vote.
AGNES VARDA

Black Change History People Right Slow State Two Vote
I’m myself – knowing I’m doing a documentary and speaking with the people, telling them I have a bed, that I can eat every day, but I would like to speak to you. And they really gave me wonderful answers.
AGNES VARDA

Bed Documentary Idea Knowing People Speak Speaking Telling Trying Wonderful
Some Bresson, some Godard of the early times, the Cassavetes of those years I love. And the early Wim Wenders. But my own films I don’t watch, unless I need them.
AGNES VARDA

Bresson Cassavetes Early Film Godard Love Need Some Time Unless Watch
We need to find another way or another shape or an allegory or something that tells us more.
AGNES VARDA

Allegory Another Mean More Need Shape Something Tell Vagabond
I don’t do films pre-prepared by other people, I don’t do star system. So I do my own little thing.
AGNES VARDA

Film Little Other Own People Pre-Prepared Star System Thing
I’m missing some people, you know, and this is not nostalgia. I miss them. This is melancholy.
AGNES VARDA

Melancholy Missing Nostalgia People Some
You know, an hour and fifty-four minutes is too much for audiences. They get nervous.
AGNES VARDA

Audience Fifty Four Getting Minute Much Nervous
When I started I did not know I wanted to be a filmmaker. I started – I made a film. Then when I finished I said, Oh my god it’s so beautiful – I should be a filmmaker!
AGNES VARDA

Beautiful Film Filmmaker Finished Made Started Wanted
When I started my first film, there were three women directors in France. Their films were OK, but I was different. It’s like when you start to jump and you put the pole very high – you have to jump very high. I thought, I have to use cinema as a language.
AGNES VARDA

Cinema Country Different Director Film First High Jump Language Pole Started Three Women
There is a song of Gainsbourg that Jane Birkin sang, and the words are beautiful in French. It says, “Le jeu et les moi.” It’s impossible to translate, because it has a very nice sound.
AGNES VARDA

Beautiful Celebrity Country Gainsbourg Impossible Nice People Sang Song Sound Translate Word
I’m sure they learn a lot, and some of them, it makes them aware of what they wish to do. I was – that’s the way I was – autodidact.
AGNES VARDA

Autodidact Aware Learn Some Sure Way Wish
I didn’t go to film school. I was never an assistant or trainee on a film. I had not seen all those cameras. So I think it gave me a lot of freedom.
AGNES VARDA

Assistant Camera Film School Thinking Trainee
People think you are an orphan when you are a child, and don’t believe that old people can feel that they are orphans.
AGNES VARDA

Believe Children Feel Old Orphan People Person Thinking
Sometimes I say, If I had seen some masterpieces, maybe I wouldn’t have dared start. I started very – not innocent, but naïve in a way.
AGNES VARDA

Draed Innocent Masterpiece Say Sometimes Start Way
I need images, I need representation which deals in other means than reality. We have to use reality but get out of it. That’s what I try to do all the time.
AGNES VARDA

Deal Image Mean Need Reality Representation Time Use
I see all these students, and I admire them – they’re trying to learn something, they go to school, they do film school, they go on shoots, they help.
AGNES VARDA

Admire Help Learn School Shoot Something Student Trying Wish
My company is called Ciné-Tamaris, which is rosemary. That’s my speed. Hot water and herb.
AGNES VARDA

Call Cine Company Herb Hot Rosemary Speed Tamaris Water
I’ve always been like this – trying to find adventure where it’s still in its first élan – the first spring.
AGNES VARDA

Adventure Always Find First Spring Trying
To share a lot of ideas – not ideas – emotions, a way of looking at people, a way of looking at life. If it can be shared, it means there is a common denominator.
AGNES VARDA

Emotion Idea Life Looking Lot Mean People Share
I should say nothing! I’m through with it! I hate to repeat myself all the time.
AGNES VARDA

All Hate Myself Nothing Repeat Time
It’s nice to think that we have in ourselves the energy. It’s somewhere, but it’s sleeping sometimes. I try to wake it up when I need it.
AGNES VARDA

Energy Nice Ourselves Sleep Sleeping Sometimes Somewhere Thinking
People like my films. They understand me through my films; it’s like a connection that has been established between all my work and myself and the audience and the viewer.
AGNES VARDA

Connection Established Film People Understand
I was a photographer first.I worked alone. I did it my way as much as I could. I have been sort of courageous about doing things, because I didn’t think I should do less than my brothers.
AGNES VARDA

Alone Brother Courageous Much Photographer Thinking Way Worked

I’m trying to capture something more fragile than a regular story. I love what people bring me.

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I’m trying to capture something more fragile than a regular story. I love what people bring me.

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