I don’t do films pre-prepared by other people, I don’t do star system. So I do my own little thing.
AGNES VARDAI didn’t see films when I was young. I was stupid and naïve. Maybe I wouldn’t have made films if I had seen lots of others; maybe it would have stopped me.
More Agnes Varda Quotes
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I’m still fighting. I don’t know how much longer, but I’m still fighting a struggle, which is to make cinema alive and not just make another film.
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The boundaries between contemporary art and cinema are so rigid. It’s unbelievable.
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I don’t believe in inspiration that arrives like a bolt from the blue … It seems to me that the more motivated I am by what I film, the more objectively I film.
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I had beautiful jewelery around me, and when I lost I would take the jewelery and say, Service – being very generous, because it was very expensive jewelery. I would say, Tip.
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I had a world. I don’t think I had a career. I made films.
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We got along very well without trying to make me look like I’m what I’m not.
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Just yesterday I saw a good film, but even if I’d seen a bad one, I’d feel, “Oh my god, what a bad job, I can do better.”
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I was nineteen and I put a bowl on and I said, Cut around! Because it was not the fashion at the time when I did that hairdo – and I kept it all my life!
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I’ve seen many films, and many beautiful films. And I try to keep a certain level of quality of my films. I don’t do commercials,
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Hands are the tool of the painter, the artist.
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I go back to many films that I really love.
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It’s a way of living, sharing things with people who work with me, and they seem to enjoy it.
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Sometimes I say, If I had seen some masterpieces, maybe I wouldn’t have dared start. I started very – not innocent, but naïve in a way.
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When I saw what painting had done in the last thirty years, what literature had done – people like Joyce and Virginia Woolf, Faulkner and Hemingway – in France we have Nathalie Sarraute – and paintings became so strongly contemporary while cinema was just following the path of theater.
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I never fought, I never learned kung fu or boxing, I never went into these sportif competitions. I wouldn’t cross the ocean.
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I think it’s ridiculous to take such risk. But look, people love to do that. But I was not afraid of doing things I wished to do.
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It’s a way of living, cinema. And I see my family, I do this and that, I travel. It’s a long process to let it happen.
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My company is called Ciné-Tamaris, which is rosemary. That’s my speed. Hot water and herb.
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Even Vagabond – it was a fiction but it was really a documentary. I mean, it has the texture of documentary. Even if I made up every line, it has the texture of being true.
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I don’t watch my own films. There is little time; I’d rather see another film.
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I tried to find a language for the film – not just telling stories. I picked the Picasso painting because it said more than I could explain.
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I try to do nothing. I drink rosemary when I have a lot of work to do. People take coffee, they take speed, whatever. I take rosemary.
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To change history is very slow. The first two times I came to the States – black people didn’t have the right to vote.
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I’ve always been like this – trying to find adventure where it’s still in its first élan – the first spring.
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I’m missing some people, you know, and this is not nostalgia. I miss them. This is melancholy.
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I don’t try to make a place in history at all! People put me in the history of cinema because my first film, La pointe-courte, was so ahead of some other filmmakers.
AGNES VARDA