Sometimes I feel sad, but this is not nostalgia, because I don’t want time to come back.
AGNES VARDAI was nineteen and I put a bowl on and I said, Cut around! Because it was not the fashion at the time when I did that hairdo – and I kept it all my life!
More Agnes Varda Quotes
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When I saw what painting had done in the last thirty years, what literature had done – people like Joyce and Virginia Woolf, Faulkner and Hemingway – in France we have Nathalie Sarraute – and paintings became so strongly contemporary while cinema was just following the path of theater.
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I live in cinema. I feel I’ve lived here forever.
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I don’t do films pre-prepared by other people, I don’t do star system. So I do my own little thing.
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I had flops, I had success.
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Nostalgia doesn’t make sense, because it’s like bringing the memories back to be a special part of my day or to be part of my week. And I’m inside my memories the same way I’m inside my everyday life.
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I quit seeing some people who were saying bad things about women; I don’t even want to meet them or see them.
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My grandson says I’m punk.
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Just yesterday I saw a good film, but even if I’d seen a bad one, I’d feel, “Oh my god, what a bad job, I can do better.”
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The mirror is the tool of the one who wants to do a self-portrait. And if you want to make a photo you need a mirror.
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There is a song of Gainsbourg that Jane Birkin sang, and the words are beautiful in French. It says, “Le jeu et les moi.” It’s impossible to translate, because it has a very nice sound.
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When I did the first edit of Les plages, it was very dry and very square in a way. I was just saying the minimum. I said, Well, if this is the minimum, I don’t make it. So I tried to make it more refined.
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The story of a couple is always very fragile, especially over more than thirty years.
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I’d been educated stupidly, I knew nothing about nothing, that’s part of being shy.
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It’s nice to think that we have in ourselves the energy. It’s somewhere, but it’s sleeping sometimes. I try to wake it up when I need it.
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I hated myself totally white. So now I cheat. It’s my white hair, and I put color there.
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I don’t believe in inspiration that arrives like a bolt from the blue … It seems to me that the more motivated I am by what I film, the more objectively I film.
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I think people should be different. I love people who don’t go by the rule that you have to be careful because you’re old, you have to do this and that, you have to eat this and that.
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I don’t watch my own films. There is little time; I’d rather see another film.
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I tried to find images, allegorical images, that I could use to express things that I didn’t want to say or didn’t want to show or I was not able to find how to show.
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I wanted to speak strongly about feminism in my life, since it’s been a struggle.
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My company is called Ciné-Tamaris, which is rosemary. That’s my speed. Hot water and herb.
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You know, an hour and fifty-four minutes is too much for audiences. They get nervous.
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Many filmmakers have made resurgent work, and I was just a little ahead of the time.
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I’ve seen many films, and many beautiful films. And I try to keep a certain level of quality of my films. I don’t do commercials,
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I was free always. I could work without the money, to film this and that. But this is another point, because now I’m alone, and I can just use it when I want.
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I’m myself – knowing I’m doing a documentary and speaking with the people, telling them I have a bed, that I can eat every day, but I would like to speak to you. And they really gave me wonderful answers.
AGNES VARDA