In poetry, everything can be faked but the intensity of utterance.
SEAMUS HEANEYEternal life can mean utter reverence for life itself.
More Seamus Heaney Quotes
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I have begun to think of life as a series of ripples widening out from an original center.
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I think the first little jolt I got was reading Gerard Manley Hopkins – I liked other poems… but Hopkins was kind of electric for me – he changed the rules with speech, and the whole intensity of the language was there and so on.
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Whether it be a matter of personal relations within a marriage or political initiatives within a peace process, there is no sure-fire do-it-yourself kit.
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Loyalism, or Unionism, or Protestantism, or whatever you want to call it, in Northern Ireland – it operates not as a class system, but a caste system.
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Since I was a schoolboy, I’ve been used to being recognized on the road by old and young, and being bantered with and, indeed, being taunted.
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Every time you read a poem aloud to yourself in the presence of others, you are reading it into yourself and them. Voice helps to carry words farther and deeper than the eye.
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The gift of writing is to be self-forgetful, to get a surge of inner life or inner supply or unexpected sense of empowerment, to be afloat, to be out of yourself.
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The experimental poetry thing is not my thing. It’s a programme of the avant-garde: basically a refusal of the kind of poetry I write.
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The amount of sensory material stored up or stored down in the brain’s and the body’s systems is inestimable. It’s like a culture at the bottom of a jar, although it doesn’t grow, I think, or help anything else to grow unless you find a way to reach it and touch it.
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As writers and readers, as sinners and citizens, our realism and our aesthetic sense make us wary of crediting the positive note.
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The problem as you get older, is that you become more self-aware. At the same time, you have to surprise yourself. There’s no way of arranging the surprise, so it is tricky.
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We go to poetry, we go to literature in general, to be forwarded within ourselves.
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Poetry is a domestic art, most itself when most at home.
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I think of Dermot Healy as the heir to Patrick Kavanagh.
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My experience is that prose usually equals duty – last minute, overdue-deadline stuff or a panic lecture to be written.
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