The group of writers I had grown up with in the ’60s – Derek Mahon, Michael Longley, James Simmons, John Hewitt, Paul Muldoon – formed a very necessary and self-sustaining group.
SEAMUS HEANEYThe group of writers I had grown up with in the ’60s – Derek Mahon, Michael Longley, James Simmons, John Hewitt, Paul Muldoon – formed a very necessary and self-sustaining group.
SEAMUS HEANEYWhat I’ve said before, only half in joke, is that everybody in Ireland is famous. Or, maybe better, say everybody is familiar.
SEAMUS HEANEYThe kind of poet who founds and reconstitutes values is somebody like Yeats or Whitman – these are public value-founders.
SEAMUS HEANEYIf you go into an underground train in London – probably anywhere, but chiefly in London – there’s that sense of almost entering a ghostly dimension. People are very still and quiet; they don’t exchange many pleasantries.
SEAMUS HEANEYTom Sleigh’s poetry is hard-earned and well founded. I great admire the way it refuses to cut emotional corners and yet achieves a sense of lyric absolution.
SEAMUS HEANEYI always had a superstitious fear of setting up a too well-designed writing place and then finding that the writing had absconded.
SEAMUS HEANEYThe end of art is peace.
SEAMUS HEANEYI’m very conscious that people dear to me are alive in my imagination – poets in particular.
SEAMUS HEANEYPoetry is what we do to break bread with the dead.
SEAMUS HEANEYI don’t do as many readings as I used to. There was a time when I was on the road a lot more, at home in Ireland, in Britain, in Canada and the States, a time when I had more stamina and appetite for it.
SEAMUS HEANEYWithout needing to be theoretically instructed, consciousness quickly realizes that it is the site of variously contending discourses.
SEAMUS HEANEYThe experiment of poetry, as far as I am concerned, happens when the poem carries you beyond where you could have reasonably expected to go.
SEAMUS HEANEYIt’s difficult to learn poems off by heart that don’t rhyme.
SEAMUS HEANEYYour temperament is what you write with, but it’s also how you deal with the world.
SEAMUS HEANEYAs a young poet, you need corroboration, and that’s what publication does.
SEAMUS HEANEYI think of the bog as a feminine goddess-ridden ground, rather like the territory of Ireland itself.
SEAMUS HEANEY