My point is there’s a hidden Scotland in anyone who speaks the Northern Ireland speech. It’s a terrific complicating factor, not just in Northern Ireland, but Ireland generally.
SEAMUS HEANEYMemory has always been fundamental for me. In fact, remembering what I had forgotten is the way most of the poems get started.
More Seamus Heaney Quotes
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If you go into an underground train in London – probably anywhere, but chiefly in London – there’s that sense of almost entering a ghostly dimension. People are very still and quiet; they don’t exchange many pleasantries.
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I’ve always associated the moment of writing with a moment of lift, of joy, of unexpected reward.
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As a young poet, you need corroboration, and that’s what publication does.
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You can have Irish identity in the north and also have your Irish passport.
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I’ve been in the habit of helping people.
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The kinds of truth that art gives us many, many times are small truths. They don’t have the resonance of an encyclical from the Pope stating an eternal truth, but they partake of the quality of eternity. There is a sort of timeless delight in them.
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I think of the bog as a feminine goddess-ridden ground, rather like the territory of Ireland itself.
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The experimental poetry thing is not my thing. It’s a programme of the avant-garde: basically a refusal of the kind of poetry I write.
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I would say that something important for me and for my generation in Northern Ireland was the 1947 Education Act, which allowed students who won scholarships to go on to secondary schools and thence to university.
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Poetry is more a threshold than a path.
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In the United States, in poetry workshops, it’s now quite a thing to make graduate students learn poems by heart.
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I came from a farming background, and my career was teaching.
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The end of art is peace.
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Nowadays, what an award gives is a sense of solidarity with the poetry guild, as it were: sustenance coming from the assent of your peers on the judging panel.
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One doesn’t want one’s identity coerced.
SEAMUS HEANEY






