Yeah, that’s right. Flee in terror, bitches!
BRIAN K. VAUGHANNo. No, first comes boyhood. You get to play with soldiers and spacemen, cowboys and ninjas, pirates and robots. But before you know it, all that comes to an end. And then, Remo Williams, is when the adventure begins.
More Brian K. Vaughan Quotes
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I remember seeing Stand by Me, when I was around 12, and just feeling like, “This is so refreshing to see kids swear and smoke cigarettes like my friends.” It just felt much more real than the Sesame Street version of childhood that I’d been spoon-fed.
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Fans of my books have just been supremely nice.
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I like being around teenagers. It’s good for drama; they feel everything much more intensely than adults do, their lives are much more interesting than ours. They’re mutants. They have these weird bodies that are rebelling against them and changing every day. Teenagers always equal good drama.
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Doesn’t matter if it’s personal or professional, a good partnership takes work.
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The appealing thing about comics: There literally is no budget in comics. You’re only limited by your imagination.
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I grew up in the suburbs of Cleveland in 1988 and there was just one year where suddenly all of the delivery kids that used to be boys were suddenly girls. It happened at our church too. Altar boys were suddenly altar girls.
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After 9/11, I knew I wanted to write about power and identity and the way Americans on all sides of the political spectrum often mythologize our leaders, which are themes that the superhero genre has always handled really well.
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Every issue, the characters and I duke it out. They usually win.
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Next up, I’m going to grow a big, disgusting beard, just so people will start talking about Alan Moore and me in the same breath.
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We’ve all seen lots of stories about a young protagonist having adventures, and usually they’re all boys, [and] there is sometimes a token female, or two.
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Immigration confuses and terrifies me, so why not try to write a comic and make some sense of it?
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Not a word of my writing has ever been changed by another person’s hands, and I don’t think many screenwriters can say that.
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After ten years of toiling away in Hollywood, I realized that there’s no better place for new ideas than comics.
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There’s just something about that late ’80s that suddenly feels like it has something to teach us.
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I’m still digesting the ’90s. It takes some time to get perspective.
BRIAN K. VAUGHAN