We need objects to remind us of the commitments we’ve made. That carpet from Morocco reminds us of the impulsive, freedom-loving side of ourselves we’re in danger of losing touch with. Beautiful furniture gives us something to live up to. All designed objects are propaganda for a way of life.
ALAIN DE BOTTONIn their different ways, art and philosophy help us, in Schopenhauer’s words, to turn pain into knowledge.
More Alain de Botton Quotes
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Those who divorce aren’t necessarily the most unhappy, just those neatly able to believe their misery is caused by one other person.
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What we seek, at the deepest level, is inwardly to resemble, rather than physically to possess, the objects and places that touch us through their beauty.
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As an atheist, I think there are lots of things religions get up to which are of value to non-believers – and one of those things is trying to be a bit better than we normally manage to be.
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We read the weird tales in newspapers to crowd out the even weirder stuff inside us.
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Must being in love always mean being in pain?
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A notorious inability to express emotions makes human beings the only animals capable of suicide.
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The problem is if you really believe in a society where those who merit to get to the top, get to the top, you’ll also, by implication … believe in a society where those who deserve to get to the bottom also get to the bottom and stay there.
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The difference between hope and despair is a different way of telling stories from the same facts.
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The only way to be happy is to realise how much depends on how you look at things
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Man seems merely dust postponed: the sublime as an encounter – pleasurable, intoxicating, even – with human weakness in the face of strength, age and size of the universe.
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When you look at the Moon, you think, ‘I’m really small. What are my problems?’ It sets things into perspective. We should all look at the Moon a bit more often.
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I am in general a very pessimistic person with an optimistic, day to day take on things. The bare facts of life are utterly terrifying. And yet, one can laugh. Indeed, one has to laugh precisely because of the darkness: the nervous laughter of the trenches.
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Architects themselves tend to shy away from the word, preferring instead to talk about the manipulation of space.
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The need for love hallucinates a prince or princess. The oasis complex is never a complete delusion: the man in the desert does see something on the horizon. It is just that the palms have withered, the well is dry, and the place is infected with locusts.
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What am I supposed to do here? What am I supposed to think?
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