We need objects to remind us of the commitments we’ve made. That carpet from Morocco reminds us of the impulsive, freedom-loving side of ourselves we’re in danger of losing touch with. Beautiful furniture gives us something to live up to. All designed objects are propaganda for a way of life.
ALAIN DE BOTTONPhilosophy had supplied Socrates with convictions in which he had been able to have rational, as opposed to hysterical, confidence when faced with disapproval.
More Alain de Botton Quotes
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Endeavoring to purchase something we think beautiful may in fact be the most unimaginative way of dealing with the longing it excites in us, just as trying to sleep with someone may be the bluntest response to a feeling of love.
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It is perhaps when our lives are at their most problematic that we are likely to be most receptive to beautiful things.
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We each appear to hold within ourselves a range of divergent views as to our native qualities.. And amid such uncertainty, we typically turn to the wider world to settle the question of our significance.. we seem beholden to affections of others to endure ourselves.
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Travel agents would be wiser to ask us what we hope to change about our lives rather than simply where we wish to go.
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Our jobs make relentless calls on a narrow band of our faculties, reducing our chances of achieving rounded personalities and leaving us to suspect (often in the gathering darkness of a Sunday evening) that much of who we are, or could be, has gone unexplored.
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Literature deserves its prestige for one reason above all others – because it’s a tool to help us live and die with a little bit more wisdom, goodness, and sanity.
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The inability to live in the present lies in the fear of leaving the sheltered position of anticipation or memory, and so of admitting that this is the only life that one is ever likely (heavenly intervention aside) to live.
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In the gap between who we wish one day to be and who we are at present, must come pain, anxiety, envy and humiliation.
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If we are inclined to forget how much there is in the world besides that which we anticipate, then works of art are perhaps a little to blame, for in them we find at work the same process of simplification or selection as in the imagination.
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Do you love me enough that I may be weak with you? Everyone loves strength, but do you love me for my weakness? That is the real test.
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Not everyone is worth listening to.
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One kind of good book should leave you asking: how did the author know that about me?
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Not being understood may be taken as a sign that there is much in one to understand.
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Philosophy had supplied Socrates with convictions in which he had been able to have rational, as opposed to hysterical, confidence when faced with disapproval.
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Maturity: knowing where you’re crazy, trying to warn others of the fact and striving to keep yourself under control.
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A good half of the art of living is resilience.
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A successful work will draw out the features capable of exciting a sense of beauty and interest in the spectator.
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The need for love hallucinates a prince or princess. The oasis complex is never a complete delusion: the man in the desert does see something on the horizon. It is just that the palms have withered, the well is dry, and the place is infected with locusts.
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One of the unexpectedly important things that art can do for us is to teach us how to suffer more successfully.
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It is in dialogue with pain that many beautiful things acquire their value. Acquaintance with grief turns out to be one of the more unusual prerequisites of architectural appreciation. We might, quite aside from all other requirements, need to be a little sad before buildings can properly touch us.
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These inventors were elevating the formulation of entrepreneurial ideas to the status of a visionary activity. Though forced to justify their efforts in the pragmatic language of venture capital, they were at heart utopian thinkers intent on transforming the world.
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to design means forcing ourselves to unlearn what we believe we already know, patiently to take apart the mechanisms behind our reflexes and to acknowledge the mystery and stupefying complexity of everyday gestures like switching off a light of turning on a tap
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The company of certain people may excite our generosity and sensitivity, while that of others awakens our competitiveness and envy.
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There’s a whole category of people who miss out by not allowing themselves to be weird enough.
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Getting to the top has an unfortunate tendency to persuade people that the system is OK after all.
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It wasn’t only fanatics and drunkards who began conversations with strangers in public.
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